Hacker Cinema
Anne of Green Gables
1985 · Film · 195 min
Directed by Kevin Sullivan
Anne Shirley, an orphan, is fostered by farmer Matthew Cuthbert and his sister Marilla, who were expecting a boy to be sent them to help with their farm work. They accept Anne, who quickly endears herself to them and to the local villagers.
2 positive1 neutralfrom 3 commenters
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3 comments on Hacker News
Anne of Green Gables copyright is an interesting study in what happens here.
There has been a recent tidal wave of "remixes" of the original work. TV shows, graphic novels, etc. My read: A lot of it is very good, very few new ideas are being created, and a lot of money is being made. It's hard to argue this counts toward anything like a "renaissance."
The fundamental argument for copyright is that creators of certain works should able to earn a living based on those ideas; it turns something abstract into "property," thus granting property rights to a class of things that wouldn't otherwise have such rights. This allows people to become professional "idea creators."
The problem to be solved with abolishing copyright, of course, is the problem of funding "idea creators." This doesn't seem to be something most opponents of copyright have solutions to.
In the case of something like Anne of Green Gables, once the "property" is no longer exclusive to someone, it is much, much, much harder to generate an income from that property. Imagine building a house, but not having control over who enters it. Same idea. Maybe people shouldn't have long-term property rights at all? Who knows? That's starting to sound like communism or something.
Definitely. I'm straight and I love watching Jane Austen, Anne of Green Gables, Musicals, Hallmark, Downton Abbey, Romcom, etc. movies with my wife. But I'd never let any of my male friends know.
I wouldn't make the extrapolation that brand advertising doesn't work -- that's too general. I was merely observing that for countries (as opposed to consumer products), advertising alone isn't sufficiently salient to create an emotional connection -- efforts to produce culture and export soft power are much more along the right track.
Take Canada for instance -- I'm from there. Anthony Bourdain had this to say on Canadian tourism ads: “Whoever is in charge of promoting Canada abroad completely have their heads up their asses. It’s all like bears and swatting salmon and Mounties.”
Canada is so much richer than the stereotypes Americans have of us -- we're not just about the pristine wilderness, cold winters and funny accents. Canada's cities are culturally deep and have a dynamism fueled by immigration that is palpable--and more compelling than many U.S. cities--due to sheer Brownian motion collisions of different cultures. The dynamism of Toronto rivals and in some ways exceed that of Chicago where I now live.
So much culture and innovation is being created every day in food (especially in Montreal), TV shows, movies, universities, arts, etc. in Canada but no one has figured out how to sell that.
To be fair, there are some small successes: Anne of Green Gables for instance is a distinct cultural product that guarantees hordes of visitors to Prince Edward Island every summer without fail and with a near zero advertising budget. We need more of this.