Hacker Cinema
Beau Travail
2000 · Film · 93 min
Directed by Claire Denis
Foreign Legion officer Galoup recalls his once glorious life, training troops in the Gulf of Djibouti. His existence there was happy, strict and regimented, until the arrival of a promising young recruit, Sentain, plants the seeds of jealousy in Galoup's mind.
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4 comments on Hacker News
If anyone has not had the pleasure of seeing the ending to Beau Travail:
https://www.youtube.com/watch?v=rop2r0PASlM
It's the thing that made me want to need to see the movie, and I had no regrets.
What a great article! I'll need a couple rereadings to understand it better, but I did appreciate the section about spectacle and about how cinema is tied to war. Another film that exemplifies that line of thought is Beau Travail. The characters prepare for war in a ritualistic frenzy, throwing themselves into each other in lavish choreography, dancing in the water and in the club. Michel Subor says it well when he notes that a good soldier is taught elegance in and under their uniforms. And the ending, well let's just say the ending demonstrates this spectacle well.
I would be remiss if I didn't mention though the crucial failure of Apocalypse Now, which is the crucial failure of many American war films. It reduces the enemy to this faceless, incoherent savage. The Vietnamese are never given a say in this story. The Sympathizer by Viet Thanh Nguyen goes over this point. Yes, yes, Coppola is a fantastic director (The Conversation is an especially good masterpiece), but he nonetheless cannot seem to stray away from the genre of American soldiers feeling guilty about murdering savages. Contrast this to a war film like La Grande Illusion, where Renoir explicitly notes that the French nobility have more in common with the German nobility, their enemies, than with the French common folk, their comrades. But of course, the German nobility are the German nobility, and not the "savages" of Vietnam.
> I had never seen a war movie produced outside of Hollywood. Or a director with primarily french influences producing a war movie.
Not sure if the stipulation is a war movie about Vietnam, or just plain a war movie. But certainly here's a list of some non-U.S. 20th century war movies, very vivid, biased towards France:
The Battle of Algiers (French, Gillo Pontecorvo, 1966)
Come and See (Russian, Elem Klimov, 1985)
Ivan's Childhood (Russian, Andrei Tarkovsky, 1962)
Beau Travail (French, Claire Denis, 1999) -- OK, soldiers but not war
Army of Shadows (French, Jean-Pierre Melville, 1969)
A Man Escaped (French, Robert Bresson, 1956) -- POW, not front lines
Little Dieter Needs To Fly (British/French/German?, Werner Herzog, 1997) -- actually relates to the war in Vietnam
I understand what you're getting at with the quite different, immersive style of Stalker. I don't necessarily agree that the lack of connection is necessarily due to people being accustomed to "voyeuristic and pornographic [experiences]". Sure, there's plenty of movies like that and many who would dislike Tarkovsky are devotees of that style.
But one can be a lover of subtle, beautiful cinema and still find Tarkovsky boring. I can easily sit through Nashville or Beau Travail or La Cienaga and still find Tarkovsky boring. Indeed, attributing dislike of Tarkovsky to being unsophisticated in one's taste is precisely what I was critiquing in my previous comment. Tarkovsky is not the arbiter of one's film taste.