That is kind of Paul Greengrass’ thing. He carried it over directly from “Bloody Sunday” (which is pretty good!) which is why the second Bourne film is so visually distinct from the first.
He keeps things more legible than most who try, but yea… I’m glad that style has mostly died out.
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That is kind of Paul Greengrass’ thing. He carried it over directly from “Bloody Sunday” (which is pretty good!) which is why the second Bourne film is so visually distinct from the first.
He keeps things more legible than most who try, but yea… I’m glad that style has mostly died out.