Hacker Cinema
Chronos
1985 · Film · documentary · 43 min
Directed by Ron Fricke
Carefully picked scenes of nature and civilization are viewed at high speed using time-lapse cinematography in an effort to demonstrate the history of various regions.
4 positive1 neutralfrom 5 commenters
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5 comments on Hacker News
Some people think of the qatsi trilogy, Baraka, Samsara, Chronos, Visitors, etc. as documentaries without words, or just pretty pictures and music.
I think of them as audiovisual essays. They're not just a delight for the senses. Each of these films says things. They cut unexpected subjects together in comparisons that speak about the human condition. They use music queues to force new interpretations of familiar settings. The qatsi trilogy uses those hopi sayings to set your mind on rails and then the visuals and music propel you on a roller coaster of emotion, but Fricke's films dispense with the rails and simply let you draw your own meaning. That meaning changes a little every time you watch the films.
These are films that invite you to create your own interpretation. You are invited to watch them with an active mind, always looking for new details, correlations, and how they fit together. This is totally unlike a documentary whose narrator tells you what to think. Here you are not being taught, but invited to teach yourself.
Give these films a chance if you've never watched them. They are uniquely rewarding.
One of my favorite films when I was younger. I discovered the music composers Phillip Glass and subsequently Steve Reich through the films. Many documentaries and media productions play on the audio visual styles Reggio popularized in the film. It's interesting how often I detect sqatsi-ism in modern film (1). Just a couple days ago while watching "Home" I felt it's presence (2).
Koyaanisqatsi was the first of a trilogy of films:
Koyaanisqatsi: Life Out of Balance http://en.wikipedia.org/wiki/Koyaanisqatsi Trailer: http://www.youtube.com/watch?v=PirH8PADDgQ
Powaqqatsi: Life in Transformation http://en.wikipedia.org/wiki/Powaqqatsi Trailer: http://www.youtube.com/watch?v=sNVTmWRcUbY
Naqoyqatsi: Life as War http://en.wikipedia.org/wiki/Naqoyqatsi Trailer: http://www.youtube.com/watch?v=9PxT3MtTedw
The films creator, Godfrey Reggio has recently created a new work:
Visitors: 2013 http://en.wikipedia.org/wiki/Visitors_(2013_film) Trailer: http://www.youtube.com/watch?v=M1ZwYJI55Rs
The original cinematographer for Koyaanisqatsi, Ron Fricke, went on to produce similar styles of films:
Samsara: http://en.wikipedia.org/wiki/Samsara_(2011_film) Baraka: http://en.wikipedia.org/wiki/Baraka_(film) Chronos: http://en.wikipedia.org/wiki/Chronos_(film)
Phillip Glass: Music Composer: http://en.wikipedia.org/wiki/Phillip_Glass Sample of Phillip Glass's music: http://www.youtube.com/watch?v=Wkof3nPK--Y
Steve Reich: Music Composer http://en.wikipedia.org/wiki/Steve_Reich Sample of Steve Reich's music: http://www.youtube.com/watch?v=xU23LqQ6LY4
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(1) Sqatsi-ism: Made up word to describe the type of audio visual style created and popularized in the original film, which can now be seen throughout media.
(2) Home: http://www.youtube.com/watch?v=jqxENMKaeCU. Interesting fact, the narrator of the film sounds almost identical to the woman in Phillip Glass's song "Einstein on the Beach Play 5", which was created back when he did the score for Koyaanisqatsi. Play 5: http://www.youtube.com/watch?v=WmX_GgozpQs.
Note: If you enjoy documentaries TrueFilms a great resources to discover new titles you may not have seen before: http://truefilms.com. In fact, many of the titles listed above are on this list.
You might want to check out Ron Fricke's movies, they are a splendid window into human's life and their relation to this planet.
Specifically Baraka which is to my taste his best, but also Samsara and Chronos.
Back in 1985, Ron Fricke, the same director of Baraka (1992) and Samsara (2011), created the most impressive time-lapse film ever made till then. It was called Chronos and it's available online [1]. It's very interesting to watch how the moving pictures match the soundtrack to capture the essence of Time [2].
[1] http://youtu.be/1K9N9flhOx4
[2] http://youtu.be/1K9N9flhOx4?t=25m24s
Obviously, I am not claiming infinite detail. There is going to be a limit based on the grain and the size of the film (35mm, Super, IMAX). 65mm film shot is going to be of higher quality than what digital is capable of today.
While I have no doubt that digital will eventually catch up and surpass film, there inevitably is going to be a transition period where quality films were recorded (let's just say at 2k) where the input is constrained and extrapolation be the only available option.
4k is the current state of the art. It will not be so forever and because it's recorded at 4k, we can't go back and extract more dynamic range due to the limitation of the sensor. Whereas you can go back, redigitize an IMAX film (say Chronos shot in 1985) that is in good condition and get way more info than something shot on 4k yesterday.
TL;DR IMO input still absolutely matters. 35mm is not the upper limit. We went through this with photography and am now doing the same with video/film.
EDIT: After thinking more about it, here's a more extreme example. I purchased a Kodak DC20 back in the 90s (early adopter yay!), even if the camera had decent glass, there's no way I can go back to an image captured by that camera and magically get the equivalent of 22mp 5D camera by resampling. If I had used a film camera, I can get a much improved scan.
EDIT2: Here's a good example. Slumdog Millionaire was mostly shot on a SI-2K which recorded at 2k. You can't go back and get 4k output on the digital portions. So generations later, we will be stuck enjoying an Academy Award winning film at that level of quality.
http://www.siliconimaging.com/DigitalCinema/News/PR_01_31_09_Slumdog.html