Hacker Cinema
Conductor 007
Εισπράκτωρ 007
1966 · Film · 82 min
Directed by Kostas Karagiannis
An honest employee saves some valuable documents when a fire breaks out in the factory where he works, at the risk of his life. But the secrets hidden in these documents are capable of destroying the relationship between his two bosses.
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I don't think there's a particular rule that a number can't act as a name like 007's movies. Or that the thing possessing has to be a person, eg. England's weather.
> video game violence develop a shitty moral compass.
You know, I think it depends on the message, not the medium. Books as a whole are an unreliable source of training, but there are some that we take seriously. I think great literature is better training than experience, as it reflects great insight.
You could say the same thing about movies, to a lesser degree. Some are 007, and some are Shawshank Redemption. I've heard of college level ethics courses being taught by watching and discussing heavy movies, and I don't think that's inappropriate.
Gaming as a genre is pretty young; it's only just beginning to cross the threshold of serious art. I think it has the potential to be serious literature as well; the single player mode of Starcraft 2, for example, struck me as though it was attempting to actually grapple with serious issues related to warfare -- and unique to games, it did so by asking the player to make serious choices. I won't say it crossed the threshold of great literature, but I will say it was heading that way.