
Days of Heaven
1978 · Film · 94 min
Directed by Terrence Malick
In 1916, a Chicago steel worker accidentally kills his supervisor and flees to the Texas panhandle with his girlfriend and little sister to work harvesting wheat in the fields of a stoic farmer.
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Badlands and Days of Heaven are definitely his most conventional films and thus good starting points. Badlands especially is a great film, Days of Heaven is a bit uneven in terms of plot and pacing, but the cinematography is beautiful.
Then you have The Thin Red Line and The New World, which to me feel like a transitional period between the more conventional films and The Tree of Life, which is the first film that is characterized through and through by Malick's extremely divisive style. I personally love The Thin Red Line, but I can see why it's not for everyone. (I would skip The New World.) All later films have a very recognizable style, for which I think The Tree of Life is the best starting point.
Long story short: I'd start with Badlands, then watch The Thin Red Line, then The Tree of Life. If you like the last one, watch any of his later films.
It’s fun to rewatch Days of Heaven once you’ve unlocked that each of the main characters is tied to a different element (earth, wind, fire, and water). That he could employ such a straightforward and have it all work so well is still astonishing to me. A nearly perfect film.
Like the first line says, he is probably the least known famous director. That is, he is not an activist and not flashy, doesn't make a lot of movies, and the general public simply doesn't know about him. But all the other movie directors and famous actors know him and kind of idolize him.
When Thin Red Line came out in 1998 he hadn't done a movie since 1978 (Days of Heaven) and yet he snagged all the famous actors to play in it: Sean Penn, Jim Caviezel (though he wasn't as famous then), George Clooney, Jared Leto, Nick Nolte, John Travolta and others. It's like they were tripping over themselves to be in his film.
But I can't fault the general public for not knowing him either. His movies are more "artsy" so he is like like an American version of Andrey Tarkovsky -- you have to really be in the mood for his movies, like watching Stalker or Mirror by Tarkovsky.
Days of Heaven and The Thin Red Line are simply the most beautiful films ever made.
For what it's worth, I think I did a reasonable job of this. I don't consume any web-based algorithmic feed content and participate in nothing interactive other than Hacker News and do not visit Hacker News every day, or even every other day most of the time. Almost never on weekends. It's really an "I'm bored at work" thing.
As others said, I had to replace these things with something else. I'm not meditative enough to just sit around with a perfectly still mind staring at the wall. For me, it was a few things. Books, first. Not hugely consistent with what they're about. First few years was mostly sci-fi and fantasy, then a year or so of non-fiction pop physics books. Right now, I'm mostly reading cooking books and learning to cook better. That's the second thing. I cook all of my own food, from scratch, and experiment a lot. That consumes quite a bit of time and it's active time. Third, music, but not algorithmic feed music. No YouTube music or Spotify recommendations. Nothing social. I'm listening to complete albums, curated either because I'm in my 40s and already know a lot of music I haven't listened to in a long time, or via human critics the same way I curated music in the 90s. Fourth, movies, but again, nothing algorithmically generated. Just like it's 1999 again. In fact, Alamo Drafthouse is doing a celebration of 1999 for its 25th anniversary. It happens to also be my and my wife's high school graduation year, so a lot of beloved movies to go see. At home, we're doing 70s. We've gotten through Easy Rider and Rosemary's Baby (yes, I know, they're 60s), Badlands, Days of Heaven, Dog Day Afternoon, and Harold and Maude. Quite a few more to go, queued up and ready, curated from prior knowledge. I've already seen most of these but my wife has not. Fourth, exercise. You can't just get off the couch and do it. I spent years building up the capacity after spending the latter half of my 30s mostly inactive due to degenerative spine problems. Started off with resistance bands and walking 6 years ago. Today, I lift for about an hour 6 days a week and then run, row, or both for cardio, anywhere from 60-90 minutes a day. Fifth, concerts. My wife and I saw Judas Priest and Dead Kennedys at the end of last year, Tool last week, and we've got Madonna, Social Distortion and Bad Religion, Ministry, Echo and the Bunnymen, and Slowdive scheduled over the next few months. We usually travel to a multi-day festival or two each year as well but haven't decided which yet for this year. This is also curated from prior knowledge. I guess I miss out on whatever is hot right now, but oh well, there was plenty of great music already out there in 1995 and plenty of these acts still tour.
All in all, this gives me goals, accomplishments, scheduled events, social interaction with a real, non-anonymous person I actually know who is physically present, had made me far healthier, more fit, and better looking, and the quality of my entertainment, though I suppose less "addicting," is much higher.
The downside is this is expensive, but it probably doesn't have to be if you actively bargain-hunt, stay local, work out at a gym instead of buying your own equipment, and eat worse than me. Probably many people on the Internet would say another downside is I'm not very tuned in. It's an election year and I have no clue what any candidates are doing, saying, winning races, and I probably won't vote. Oh well. I'm sure the world will do about the same as it would have done if I didn't exist, which is fine. I'm not that important and neither are you.
Edit: I guess it's worth adding none of this involved or required getting rid of my phone. The phone is, in fact, quite useful. I listen to my albums on it. I buy movie tickets and concert tickets through it and they're delivered to the phone. I buy airline tickets and keep them on the phone. I keep my recipes, log my food, log my workouts, and map my runs on the phone. The local train system sells and keeps passes on a mobile app. There is nothing wrong with phones per se. Just don't let these apps gamify shit for you. Don't opt into social features. Don't create an account if they don't force you to. Disable all notifications. Don't worry about what other people are reading, where they're running, what they're eating. Just worry about yourself. Don't have or use any pure social apps. No algorithmically-generated content feeds. Read full-length novels, watch full-length feature films, and listen to complete albums. Force yourself to exercise at least a medium-term attention span. You don't need a change of theme every 40 seconds.
Yeah seriously, the “perpetual golden hour” phenomenon goes way back. Bruckheimer 80s blockbusters were big on this. Even in the 1970s, shooting large portions of a full movie during “magic hour” was staring to become a trend, see for example 1978’s Days of Heaven[0]:
> Much of the film would be shot during magic hour…
[0] https://en.wikipedia.org/wiki/Days_of_Heaven#Principal_photography
There's something so beautifully romantic about trains. Perhaps that's why filmmakers love them. I can't help but think of the characters in Days of Heaven, migrating across the Texas Panhandle for work and a new life. Or the wonderful opening scene of Clouds of Sils Maria, with Kristen Stewart ducking and weaving, the barrier between Juliette Binoche and the frenzied celebrity culture of the outside world. Or the scene in Pather Panchali where the young kids encounter a train for the first time and you understand that they haven't just seen a train, but indeed they've gotten a glimpse at modernity, at a brave new world that they don't understand, but will come to encompass them.
Everybody loves their road films but I think trains are the ultimate film vehicle.
Days of Heaven is my favorite film, I recommend it to anyone with an appreciation for visual storytelling. Those 95 or so minutes are the perfect balance between conventional storytelling a lá Badlands and the disjointed, introspective narrative of The Thin Red Line and onwards.