Hacker Cinema
Decision to Leave
헤어질 결심
2022 · Film · 139 min
Directed by Park Chan-wook
From a mountain peak in South Korea, a man plummets to his death. Did he jump, or was he pushed? When detective Hae-joon arrives on the scene, he begins to suspect the dead man’s wife Seo-rae. But as he digs deeper into the investigation, he finds himself trapped in a web of deception and desire.
2 positivefrom 2 commenters
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2 comments on Hacker News
I have definitely noticed the same occurring in North American cinema, but I do not think this is a new phenomenon. Rather, it's just a symptom of the increased commercialization of indie cinema - commercialization requiring film for all to understand.
If one is to broaden their horizons, overseas cinema is still devoid of this literalism. European cinema, Korean cinema, and the famously show not tell Japanese cinema still produce ambiguous stories that compete for awards - just look at recent pictures in Anatomy of a Fall, Zone of Interest, Drive my Car, Decision to Leave.
I’m both, at times I don’t want to choose, at times I want full control. I didn’t have TV for years (was pushing a decade), but ~2months ago I got myself an analog antenna that has local channels and it’s been a blast: I caught some olympic games, watched Euro cup, couple of movies (I caught “Decision to leave” from my watchlist——tremendous movie), I saw some Anthony Bourdain shows and now I know who the guy is and i enjoyed the show, saw a documentary on war in my country, watched some live streams of city council meetings… Also, I wanted to say this somewhere in this thread I’m not trying to sell tv to you, you caught a stray bullet, but also I’m sharing that I watched it with a different curiosity after so long of not having it, and did have a great time just with those 17 channels of uncurated content, which was the main motivation——to have uncurated content