Disenchantment

2 comments on Hacker News

1. PositivejurassicFeb 15, 2022

   Netflix has produced a lot of fairly solid content. Not at the level of the all-time great prestige TV shows like the ones you mentioned, but enough to keep a lot of subscribers happy for long periods of time at an accessible price. House of Cards (at least until the Kevin Spacey scandal blew up), Stranger Things, Orange is the New Black, BoJack Horseman, Disenchantment, etc are a few that come to mind that I watched and enjoyed.

   I think Netflix has two big issues. The first is the way they drop seasons all at once prevents the natural cycle of pre-episode hype, post-episode interviews, speculation and leaks, fan anticipation, fan arguments (ship wars, etc), etc. Fan culture can't develop around this content as easily because there's never any breathing space for fans to collectively sit with the story so far. The shows that become a cultural force like Breaking Bad or Game of Thrones need us to keep coming back to the conversation every week. They have us talking about what happened last week and will happen this week with our colleagues at work and around the dinner table. How can these Netflix IPs enter stable orbit in the cultural zeitgeist when they're once-a-year events? It devalues the work, positioning it more like a movie that you watch and then forget rather than a story you become invested in over a long period of time.

   Full season drops also allow people to binge a whole season of content for a single month's subscription and then immediately churn (ask me how I know). I assume they have some data-driven reasons for doing this, but it makes absolutely no sense to me.

   Besides that, I think they should put more wood behind fewer arrows. They've developed a reputation for aggressively cancelling smaller shows with passionate followings which makes a lot of people not even want to bother until something has become an established mainstream success. I think of them now as the Google of content-creation, putting out a lot of solid (but not amazing) products and then cancelling them once people start to grow attached.

2. PositivenotafraudsterJan 7, 2019

   Mad Men didn't even have an audience when it aired (<2 million viewers most episodes), and airs on a network that likely won't exist in 5-6 years (or at least won't be producing new content), so it's not super clear to me what your point is about those shows as evidence of how a network grows. The way a network grows is by producing content people want to watch, whether that's disposable content made to last a minute or content made to last the test of time. HBO isn't growing because people are subscribing to watch Sopranos re-runs.

   Past reporting suggests churn in most subscription content services is very low, so your Netflix cancellation may be unusual. I'd also add that exclusive content is one part of the story, but there's also a lot of licensed content that's very good on Netflix as on other services.

   But for what it is worth, I would rank the following Netflix originals to be "top tier" within their genre -- some of these genres lend themselves more to rewatching than others, and some are closer to my taste than others, some held up in quality through their run more than others, so in a sense I am ranking shows based on their peak quality --

   Orange is the New Black; Bloodline; Stranger Things; The Crown; Gilmore Girls AYITL; The OA; A Series of Unfortunate Events; Mindhunter; The Haunting of Hill House; Unbreakable Kimmy Schmidt; Master of None; Love; Lady Dynamite; Santa Clarita Diet; GLOW; American Vandal; Maniac; Bojack Horseman; F is for Family; Disenchantment; Hilda; Dark; The Rain; Elite; Chef's Table; Making a Murderer; Shot in the Dark; Wormwood; Wild Wild Country; Salt Fat Acid Heat; Queer Eye; The Curious Creations of Christine McConnell; My Next Guest Needs No Introduction; Lilyhammer; Terrace House; Alias Grace; The End of the Fucking World; Collateral; Wanderlust; Longmire; Black Mirror; Comedians in Cars Getting Coffee.

   In addition to these, the following shows are Netflix originals in my region, indicating that although someone else initially funded them, Netflix bought them for exclusive distribution here, and also meet the above requirements:

   Babylon Berlin; Bodyguard; Casé; Crashing; Cuckoo; Derry Girls; The Great British Baking Show; Happy!; Happy Valley; The Investigator; Peaky Blinders; River.

   I have pretty broad taste in TV and watch a lot of TV while I am programming or running data analysis, so maybe the breadth of stuff I include here is surprising to most. But to the extent your post is a useful anecdote about how Netflix has no great shows, I'm responding to your challenge to "Name one show" that would meet that criteria.

   (These are TV shows only, not films. I haven't really liked many Netflix original films although there are a few I would say are great, like Okja and Roma)