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Ghost Hound
神霊狩／GHOST HOUND
2007 · TV series · 25 min episodes · 1 season
AnimationDramaMysteryScience FictionFantasy
In an isolated region of Kyushu lies the town of Suiten. Though seeming small and modest, Suiten is not a picturesque place for a vacation, unless it is from the “Unseen World”. Taro, Makoto and Masayuki, three boys with traumatic pasts, learn to let their souls cross between the two parallel worlds. However, the Unseen World is no mere copy of the real Apparent World. The Unseen World is the home of ghosts, but changes are now allowing the souls of the dead to pass over into the Apparent World, with unpredictable effects. Follow the journey of Taro, Makoto and Masayuki, as they cross between the two worlds, trying to unravel a great mystery.
1 positivefrom 1 commenter
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1 comment on Hacker News
Adding my yea to the mix.
For one, anime enables storytelling on a level and scope that would ordinarily be too expensive for real film production for most stories told. As an aside I think we're about to see a whole new level of mind-bending "realism" afforded to lower budget productions with tools like UE4/5.
You could argue that "animation" in general does this, but the particular (myriad) stylization choices in Japanese animation carry a fairly unique appeal. I think this was borne of a long-existing cultural tradition of prolifically illustrative literature.
For my part I had family that liked DBZ and similar ilk. The over-the-top-ness blinded me to the appeal as it just felt blah to me. It wasn't until I encountered more serious, darker themes in GITS, SEL, and others that I really grew attracted to the artistic potential of the medium.
I personally feel that art, in whatever form, is validated by making the observer feel something. Even if it makes them feel disgusted, annoyed, inspired, becalmed, horrified, and so forth. Given this, I value anime (or storytelling in general) that knocks me over the head with the emotional intent of the storyteller. It's really hard to get right without being heavy-handed (thus diluting the effect).
Two amazing examples come to mind: "Grave of the Fireflies" and "Ghost Hound"
Grave of the Fireflies is semi-autobiographical and will mess you up for days afterwards. Kind of like Bjork's "Dancer in the Dark". Both do an excellent job of forcing you to take a perspective that most will (fortunately) never have to endure in real life.
Ghost Hound touches on frankly f'ed up themes that an adolescent is trying to cope with. It engages supernatural elements that honestly at times practically noped me out for the imagery and setting alone. Of course this is animated fiction but the way the viewer is pulled in to the story with the protagonist was so well done that you can forget the medium to a degree. Highly recommended.
(Don't read/watch anything about these before watching if you can avoid doing so. Best to come in unopinionated.)
On a side note, I found SEL polarization to be very telling. Some people absolutely hated Serial Experiments Lain, while others like me were drawn to the bizarre reality of the story. I think the fact that this medium can be so polarizing validates my claim that this is art.