Hacker Cinema
Ghosts
2021 · TV series · 6 seasons
Created by Joe Port, Joe Wiseman
Samantha and Jay throw caution to the wind when they convert their recently inherited country estate into a bed-and-breakfast. Call it mislaid plans. Not only is the place falling apart, but it’s also inhabited by spirits of previous residents -- whom only Samantha can see and hear.
4 positive1 neutralfrom 5 commenters
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5 comments on Hacker News
> old and foreign content
I don't really mean old, I'd even say old movies were "better" in the sense of more variety, also foreign is often not a problem provided it's good (my favorite genre here is comedies like Norsemen or British Ghosts).
What I really dislike is this bland, characterless, boring, inauthentic, unengaging, but neverending stream of pulp that Netflix is producing and promoting. Most people I know just got fed up with it.
Personally I watch maybe one movie a month, and when I do, I make sure my time won't get wasted.
I watched one episode of Ghosts (US) and that was plenty. I watched every episode of every series of Ghosts (UK).
> The problem with all this is the same thing great animation runs into. Because of the medium, many people choose to ignore the show or dismiss it as made for kids
This reminds me of Yonderland, an absolutely amazing TV show that has plot, characters and occasionally adult humour that will fly over the heads of children in the same way that a lot of great Simpsons gags did, in the good old days. Yonderland is made by the same people who did Ghosts (no, not the American rehash, the far superior original). Find it, watch it, it's brilliant.
https://m.imdb.com/title/tt2938522/
The BBC has some extremely good content... nature documentaries (David Attenborough), science shows (Horizon), archaeological/history (Digging for Britain), comedy (Ghosts), comedy/news/current affairs (Have I Got News For You). The US does big budget shows very well, but for a wide variety of content I really miss the BBC when I can't access it. I'm obviously biased though.
That kind of thinking still exists. The most recent example I can think of is Ghosts on CBS as the US version of the UK Ghosts. CBS' streaming service (Paramount+) will even recommend the UK original and you can compare them side-by-side.
(Another somewhat recent example to mind was FX's Wilfred as the US version of the Australian Wilfred TV show. Hulu picked up the Australian show so that you could compare them side-by-side. For streamers this is easy content recommendations.)
TV and Movie executives are always looking for "low risks" and "proven formula" will always be a way to lower risk. Shows and movies from the same originating country get "rebooted" all the time. Doing a fresh take across cultural boundaries is interestingly a higher risk as studios try to figure out if the original premise has legs in the new country. Some of what we see is survivorship bias: The US Office was huge so that gets mentioned a lot. But there were a lot of similar attempts that never made it past the pilot because the risks were too high or it just didn't seem to work or whatever.
Off the top of my head, similar to this US IT Crowd pilot there are also "lost" pilots you can find for US Doctor Who and US Red Dwarf. The fascinating thing about both of those attempts occurred during different points of the height of the PBS/BBC partnership. Up until about the late 90s/early 00s PBS was the most common importer of BBC programming from the UK. (That shifted when the BBC decided it could be a stronger revenue stream, starting chasing bigger bids from US cable channels, and then eventually cofounded the BBC America cable channel.) At various points in time PBS' biggest audiences tuned into Doctor Who, Red Dwarf, and Blake's 7 (among others on the sci-fi side of their programming), so even in the "old" TV era these US attempts knew there was some pre-existing audience familiar with the original UK shows through PBS at the time. So streamers have exactly created that as a "new" idea or new thinking so much as shifted the economics of it. (PBS was public funded and not making a lot of money for how popular its showing of UK shows were. Streamers are all big for-profits that use multi-cultural content for moats around their subscription fees. Including BBC America's current home AMC+.)