Hacker Cinema
Halloween Ends
2022 · Film · 111 min
Part of Halloween Collection
Directed by David Gordon Green
Four years after the events of Halloween in 2018, Laurie has decided to liberate herself from fear and rage and embrace life. But when a young man is accused of killing a boy he was babysitting, it ignites a cascade of violence and terror that will force Laurie to finally confront the evil she can’t control, once and for all.
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2 comments on Hacker News
$10 million hasn't been "medium" budget for Hollywood since the 1990s. In 1995, the average cost of a Hollywood film was approximately $34million. By 2003, that number had ballooned to $59 million. (https://www.latimes.com/archives/la-xpm-1995-03-08-fi-40252-story.html)
Today, the threshold for "medium budget" is somewhere around $30 million, with the threshold for "high budget" somewhere around $90-100 million.
Also, A24 is as Hollywood as you can get. Their offices are located in WeHo. All of their films are the kinds of films that Fox Searchlight and New Line Cinema specialized in.
(With respect to the films you mentioned, Puss in Boots and Halloween Ends both achieved profitability during their theatrical runs. D&DHAT did not make its budget back in theaters and is not expected to achieve profitability for several years if ever; it is very likely that it will not get a sequel, or if it does the sequel will have a much smaller budget.)
A24, I think, hit upon something that had been nagging at me for years in that Hollywood films are massive productions, several million dollars get poured into them. Not every film is a Marvel $250 million undertaking, but the recent Puss in Boots sequel costs about $90+ million, Dungeons and Dragons cost $150 million, heck even Halloween Ends cost $33 million (add a grain of salt for each of these figures). What's missing? $1 million, $5 million, $10 million.
This space between low budget and medium budget was, for a little while, nearly non-existent. With these budgets, you don't have to be that successful to get your investment in the black. It allows you to make riskier films, and there is clearly a market for films of depth and creativity. It boggles the mind that Halloween Ends required more budget (I assume it's mostly marketing) than Everything Everywhere All at Once, it's just about a guy killing people, in fairness one of those people was Jamie Lee Curtis.