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Poster for Hitler: A Film from Germany

Hitler: A Film from Germany

Hitler - Ein Film aus Deutschland

1977 · Film · 442 min

Directed by Hans-Jürgen Syberberg

DramaHistoryWar

A structure-free, four-part examination of the rise and fall of the Third Reich. Each part explores a different topic, from Hitler's cult of personality in propaganda to how said propaganda was associated with pre-Nazi German cultural, spiritual, and national heritage to the Holocaust and the ideology behind it, particularly from Himmler's point of view.

1 positivefrom 1 commenter

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  1. PositivecoolandsmartrrApr 27, 2023

    Aside from writing and directing films like "Raging Bull" and "American Gigolo", Paul Schrader as film theorist has christened the genre of long movies as "Slow Cinema." In his thesis "Transcendental Style in Film: Ozu, Bresson, Dreyer", Schrader argues that the deliberated depictions in lengthy movies transforms the act of the ordinary into a realm of transcendence.

    He has produced a famous diagram where he identifies acclaimed filmmakers like Tarkovsky, Akerman (mentioned in article), Weerasetakul, Tarr as practitioners of slow cinema[1].

    [1] https://www.indiewire.com/wp-content/uploads/2018/05/figure18.jpg?w=725

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    Personally, these long films were an experience in themselves:

    - Sátántangó, Bela Tarr, 7 hours 18 min

    Tarr depicts the countryside as a slow, humdrum experience. By confronting viewers with the elongated pedestrian experiences, the film accentuates the subtle rhythms in everyday life.

    - Hitler: A Film from Germany, Hans-Jurgen Syberberg, 7 hours 22 min

    Perhaps bombastic, and even pretentious, but Syberberg has successfully constructed his own world from his poetic sentiments. It laments on how the noble "Germanism" has been (as put by Susan Sontag) "retroactively tainted" by Hitler.

    - Nostalghia, Andrei Tarkovsky, 2 hours 5 min

    I know this isn't as long as the other titles, but the penultimate shot of the film is 10 minutes long. It depicts a man walking around holding a candle. While very little happens, the parsimony of the shot directs the audience's attention to the sparse movements, which compounds the until the action is resolved.