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Poster for How to Train Your Dragon: The Hidden World

How to Train Your Dragon: The Hidden World

2019 · Film · 104 min

Part of How to Train Your Dragon Collection

Directed by Dean DeBlois

AnimationFamilyAdventure

As Hiccup fulfills his dream of creating a peaceful dragon utopia, Toothless’ discovery of an untamed, elusive mate draws the Night Fury away. When danger mounts at home and Hiccup’s reign as village chief is tested, both dragon and rider must make impossible decisions to save their kind.

2 neutralfrom 2 commenters

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4 comments on Hacker News

  1. NeutraltzsDec 14, 2024

    Couldn't the same argument be made for all kinds of things companies have made open? Some examples:

    • Tesla gave away its EV patents.

    • Pixar and DreamWorks have both open-sourced some of their tools, including tools used to make some of their best works. For example DreamWorks' MoonRay renderer has been used on everything they have done since "How to Train Your Dragon: The Hidden World", including "Puss in Boots: The Last Wish" and "The Wild Robot", and will be used on their upcoming films.

    • Facebook open-sourced React.

    • Google open-sourced Chromium.

  2. NeutraldefrostFeb 5, 2024

    The first site I checked has 317 pages of 50x 2160p listings per page going back seven years.

    The most recent entry is:

    How To Train Your Dragon The Hidden World (2019) 2160p 4K BluRay 5 1-LAMA

    Format : HEVC

    Width : 3 840 pixels Height : 1 634 pixels

    Display aspect ratio : 2.35:1

    Near the top is a recent TV episode:

    True Detective S04E04 Night Country Part 4 2160p MAX WEB-DL DDP5 1 DoVi x265-NTb

    Format : HEVC

    Width : 3 840 pixels Height : 1 920 pixels

    Display aspect ratio : 2.000

    What makes things problematic is the overbearing love for letterbox like aspect ratios, even pirates have standards and they're having to bundle a slew of aspect ratios together .. this comes from the production companies.

  3. NeutraltzsDec 12, 2022

    Yup. Even if you only look within a relatively small category of films one per year can miss a bunch. For example, consider the category of animated feature length films released after 2000 in the US, and pick one per year by picking the winner of the Academy Award for Best Animated Feature.

    In 2001 you'd miss Monsters, Inc. because of Shrek.

    In 2002 you'd miss Lilo & Stitch because of Spirited Away.

    In 2004 you'd miss Shrek 2 because of The Incredibles.

    In 2005 you'd miss Howl's Moving Castle and Corpse Bride because of Wallace & Gromit: The Curse of the Were-Rabbit.

    In 2008, no Kung Fu Panda because of WALL-E.

    In 2009, no Coraline or Fantastic Mr. Fox because of Up.

    In 2010 you'd miss How to Train Your Dragon because of Toy Story 3.

    In 2011 no Kung Fu Panda 2 because of Rango.

    In 2012 no Frankenweenie, ParaNorman, The Pirates! Band of Misfits, or Wreck-it Ralph because of Brave.

    In 2014 no How to Train Your Dragon 2 because of Big Hero 6.

    2015 no Shaun the Sheep Movie because of Inside Out.

    2016 you miss Kubo and the Two Strings and Moana because of Zootopia.

    2019 No How to Train Your Dragon: The Hidden World because of Toy Story 4.

    2021 you'd miss Raya and the Last Dragon and Luca because of Encanto.

    Most of the winners are good...but if you just put all the above mentioned films in a pool and asked most people to pick their top 14, most would have a lot of films on their list that were not among the winners of the aforementioned years.

  4. NeutraltzsAug 6, 2022

    Is it access to high end rendering software and the hardware to run it on that is what is currently stopping small studios without a ton of money from making the kind of movies that DreamWorks and the other big studios make?

    "How to Train Your Dragon: The Hidden World" had around a couple dozen people in the art department, around 3 dozen in the sound department, over 150 in visual effects, around 100 in animation, around 150 in music, and another 150 additional crew.

    I'd expect paying so many people is what makes these movies expensive and beyond the reach of smaller less well funded studios.