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Jesus Christ Superstar
1973 · Film · 108 min
Directed by Norman Jewison
As played out by a theatre troupe, the last days of Jesus Christ are depicted from the perspective of Judas Iscariot, his betrayer. As Jesus' following increases, Judas begins to worry that Jesus is falling for his own hype, forgetting the principles of his teachings and growing too close to the prostitute Mary Magdalene.
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4 comments on Hacker News
I punched in 1972 and there were some fantastic movies that year (The Godfather, Deliverance, Cabaret, Solaris, Jeremiah Johnson, Aguirre - the Wrath of God, The Last House on the Left, Silent Running, The Heartbreak Kid, Fat City, etc.).
Also tried 1973 — same (The Day of the Jackal, Soylent Green, Westworld, The Wicker Man, Papillon, American Graffiti, The Sting, Serpico, Mean Streets, High Plains Drifter, Don't Look Now, Badlands, The Long Goodbye, Jesus Christ Superstar, The Three Musketeers, Fantastic Planet, etc.).
I think they simply made better movies decades ago.
It's not a plot hole, it's a plot point, that makes Judas a complex, tragic character. John 13:27 addresses this a little. You might enjoy Jesus Christ Superstar, which is reasonably based on the text but takes some interpretive liberties, and is set from Judas's troubled point of view.
Interestingly, JCS was controversial among some christians for portraying Judas in a sympathetic light. But the text always did portray him in a more complex manner. He did end up hanging himself in shame over his actions very soon after, for example.
Perhaps in today's era of nonstop marvel superhero movies and super partisan political content, you have become accustomed to simple stories where all the characters and motivations are very black and white. But in older times, people were able to appreciate a good complex story told about complex characters with complex and conflicting motivations and emotions...
PS: King James is a notoriously mediocre translation whose only advantage is nostalgia for English speakers and a false patina of "ancientness" (in fact, the KJV is pretty new compared to the original texts, just as the English language is, obviously). If you are interested in learning more, I would avoid everyday bibles sold to everyday christians and look at textbooks with nice commentaries of the sorts you might see used in a college religion or theology class
Star Wars is a mess for the past has tech more advanced than the future. Blade Runner is still watchable though and never laughable because it seemingly has been placed in an intentional anachronistic SciFi setting: the 1940's hairstyle and dress Rachel wears, a 1950's "Raymond Chandler" slice of life story, a computer that is more "steampunk" than plausible. The films "Brazil", Marie Antoinette", "Titus", Jesus Christ Superstar, adopt that anachronistic style as well.
Totally missing the point with The Producers. In the movie the "Springtime for Hitler" play becomes an (unplanned) success. And the movie itself became a success, showing that you can indeed "mix oil with water" with enough audacity. The article presents it like it is obvious that Hamlet or Lolita will never work as a musical - presumably because the material is too serious for showtunes - but Jesus Christ Superstar was a huge success.