Hacker Cinema
Light in August
Światło w sierpniu
2014 · Film · short · 23 min
Directed by Matej Bobrik
Kuba and Jurek are friends. They work together clearing the forest and spend their free time together, too. Both live in the village of Olchówka where life goes by at its own unhurried rhythm - people know each other very well, the atmosphere is bucolic and leisurely. One day Kuba wakes up after a passionate night and finds himself in the middle of a field, accompanied by cows. Then he cannot find his mate. So he decides to look for the girl that they both met that night.
1 neutralfrom 1 commenter
Where to watch
No streaming data for this title.
1 comment on Hacker News
Mainstream films (or works of art writ large) rarely trust their audience. Artists imbue their work with a lot of handholding for the audience's sake; if it's a need or a want on the audience's part, conscious or unwitting, who can say.
I don't particularly enjoy having my hand held through a narrative, but I know plenty of people who don't mind, don't care, or don't know. It's easier to "participate" as an audience by passively consuming the art than to engage with it actively, and no doubt such art is easier to produce.
Many people seemingly desire a contract to be enforced between artist and audience, where the artist constructs a narrative that is sensible and palatable and neat and tidy. Look at the reviews for Birdman (2014), for example. Plenty of people couldn't tolerate the ending, even if it thematically and tonally made sense.
Gone with the Wind (Mitchell, 1936) upholds such a contract; Light in August (Faulkner, 1932) does not. With no slight against the former, the latter could be used as an example of a work with a radical trust of its audience.