Hacker Cinema
Olympus Has Fallen
2013 · Film · 120 min
Part of Has Fallen Collection
Directed by Antoine Fuqua
When the White House (Secret Service Code: "Olympus") is captured by a terrorist mastermind and the President is kidnapped, disgraced former Presidential guard Mike Banning finds himself trapped within the building. As the national security team scrambles to respond, they are forced to rely on Banning's inside knowledge to help retake the White House, save the President and avert an even bigger disaster.
1 negative9 neutralfrom 10 commenters
Where to watch
No streaming data for this title.
10 comments on Hacker News
To be fair, hollywood productions hardly ever touch the whitehouse or policies playing out and showing effects, to the point where it almost seems like the lack of coverage is perhaps even intentional imho. I did a very quick internet search on "movies about the white house" just because I was drawing such a blank and I only get White House Down, Olympus has fallen, and Independence day as the main search results.
I wonder if "Contagion" was propaganda. It really made me believe that if a SARS pandemic ever happened, a bunch of incredibly competent scientists and government agents would swoop in and save us all.
The "Olympus Has Fallen" series also made me believe that if a mob ever stepped foot on the White House lawn, a bunch of auto turrets would pop up and gun them all down.
The last few years has shown that the world is run by a bunch of jokers, no different than me. That's comforting in some ways, horrifying in others, and sadly has ruined the illusion of some of my favorite movies.
I was really disappointed and disheartened. It showed great weakness.
I recently watched the movie Olympus Has Fallen. We were just wanting a dumb action movie to pass the time. The North Korean terrorists just basically walked in and took the White House. We were like, how stupid is that, no way that could really happen. And here today, we literally saw it happen. People took over one of our nation’s most important buildings with extremely high level people in it without a sweat, without resistance, and basically without repercussions. I remarked today to my family that I bet Russians and North Koreans were watching going, wait, we can just walk in? Of course they couldn’t because they aren’t white “Americans”. And all of this really paints a nasty picture of what happened today. It was a soup of treason, violence, white privilege, disgrace, sadness, and weakness.
I mean, a bomb on the grounds was found and detonated by a bomb squad and people were still allowed to stay on the premises. I really could not believe how they could just take over the place. I even saw a video where police actually just opened the gates for them.
EAS tones were also used in the trailer for "Olympus Has Fallen" in 2014, the networks were fined $1.9 million.
https://web.archive.org/web/20141231204456/http://bigstory.ap.org/article/false-alarm-olympus-movie-ad-draws-19m-fine
The same chance of getting two movies with the same premise (Armageddon and Deep Impact, White House Down and Olympus Has Fallen)
I can give him a data point from outside the US, from one of the other progressive, English speaking countries in the world, New Zealand:
I don't know if it has fully sunk in yet to the US populace how completely they have humiliated themselves, on the world stage.
We don't get exposed to Fox, or Breitbart, or even CNN. I get most of my international news from the BBC, for example. From our perspective, the election was between a normal, typical US politician, and a madman. And when the dust settled, you lot put a clown in charge of your country.
I remember first thinking, oddly, that the biggest loss was your media. How can anyone watch 24, or Olympus Has Fallen or any of the other films and TV shows where you glorify your president? The stern, respectable, dignified leader that the hero must protect or save? How could such a plot exist now, or in future, and be watched with a straight face?
That's like saying "code is bad nowadays because of SublimeEdit."
The actual reason is more often Save the Cat by Blake Snyder: http://www.slate.com/articles/arts/culturebox/2013/07/hollywood_and_blake_snyder_s_screenwriting_book_save_the_cat.html
"Yet once you know the formula, the seams begin to show. Movies all start to seem the same, and many scenes start to feel forced and arbitrary, like screenplay Mad Libs. Why does Kirk get dressed down for irresponsibility by Admiral Pike early in Star Trek Into Darkness? Because someone had to deliver the theme to the main character. Why does Gina Carano’s sidekick character defect to the villain’s team for no reason whatsoever almost exactly three-quarters of the way through Fast & Furious 6? Because it’s the all-is-lost moment, so everything needs to be in shambles for the heroes. Why does Gerard Butler’s character in Olympus Has Fallen suddenly call his wife after a climactic failed White House assault three-quarters of the way through? Because the second act always ends with a quiet moment of reflection—the dark night of the soul."
Hollywood has a lot of stories like this, for recent example this year saw two movies about the White House being taken over by terrorist, Olympus Has Fallen and White House Down.
From paragraph one: "the hero dressed down by his mentor in the first 15 minutes (Star Trek Into Darkness, Battleship); ... the moment of hopelessness and disarray a half-hour before the movie ends (Olympus Has Fallen, Oblivion, 21 Jump Street, Fast & Furious 6)."
Paragraph 10: "Look at January’s Gangster Squad. After an opening image that sets up the conflict between Josh Brolin’s hard-charging cop, Sgt. John O’Mara, and the criminal forces of mob boss Mickey Cohen (Sean Penn), O’Mara is called in to see his gruff police superior. “We got rules around here, smartass,” the chief growls. “Do yourself a favor. Learn ’em.” That’s Snyder’s second beat, theme stated. And it’s right at the seven-minute mark, almost exactly when it’s supposed to happen in a 110-minute movie....an all-is-lost moment—including a death—between the 75- and 80-minute mark..."
Did you guys read the article, or just skim it looking for a table of data? The examples are there, with the minutes. You actually have to read numbers written as words (gasp!).
> Recent films have started focusing more on the roller coster ride of the visuals, and will do any distortion of the story necessary to motivate a visceral impact on the audience. Good storytelling takes a second seat to putting the audience into the most intense situations possible.
I thought that all of the movies listed (Star Trek Into Darkness, Battleship, The Dark Knight, The Avengers, Skyfall, Star Trek Into Darkness, Olympus Has Fallen, Oblivion, 21 Jump Street, Fast & Furious 6) had awful plots, but for some of those movies the visual spectacle made them tolerable.
None of the movies listed (well, I haven't seen 21 Jump Street) obeyed the rules of physics, which is a huge turn-off for me because it breaks the suspense. The best suspenseful movies they tease you into thinking that you can predict what is going to happen next, as if they were a puzzle.
I'm not saying that I don't enjoy every movie that can't be taken literally; I just don't like movies that are logically inconsistent. Star Wars doesn't follow the rules of physics, but at least it does so consistently; you understand the capabilities of the technologies that they use and can reason about how the characters might use them. I find movies that violate the rules of physics inconsistently to be intolerable; if you don't know what behavior characters are capable of, you lose your sense of immersion because you can't relate to the characters, and can't predict what they are going to do at all.
That's just my opinion, though, and obviously enough people don't agree with me because those movies (listed in article) made lots of money.