Hacker Cinema
Pierrot Lunaire
2014 · Film · 51 min
Directed by Bruce LaBruce
Invited by the conductor Premil Petrovic to stage Arnold Schoenberg’s Pierrot Lunaire, a musical theater work from 1912 based on the poems of Albert Giraud, LaBruce transposed a strange and tragic episode of true crime onto the composition. Complementing the original atonal score is a narrative about a trans man who is outed by his girlfriend’s father and forbidden from seeing the young woman again. Crestfallen, the protagonist decides to prove the fact of his manhood by castrating a taxi driver and then revealing his newly transplanted member to the two of them. This story, which for LaBruce “serves as a kind of allegory for all gender radicals and outcasts driven to extremes by the disapproval and hostility of the dominant order,” is rendered in a visual style that nods to the era of Schoenberg’s melodrama. LaBruce cheekily appropriates the formal vocabulary of silent cinema with black-and-white photography, irises, and intertitles like “A cock, a cock, my kingdom for a cock!”
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1 comment on Hacker News
As a good point (maybe even intentional) the article is contradictory itself, using sentences like "This" "analogy, while tempting, fails to take into account" ... and then continuing with other shallow explanations. And all this leads to the coda:
"In examining Vienna’s cultural legacy, and especially its zenith during the fin-de-siècle period, my intention is not to debunk or demythologise. Vienna’s mythos is part of its beauty. What is necessary, though, is to understand the complexity of this legacy, and that there is no satisfactory single answer to the question of the cultural vibrancy of Vienna 1900."
And like when one composes a piece of music and even when one plans to break some expectation and one has to still remain consistent to itself, the text remains true to its style of writing about the "failures" of other presentations while just repeating them. Seeing that the author both writes music and is a music critic, but that he also avoided to concentrate too much directly on Schoenberg, I can still say I've (by induction) learned something new: it motivated me to read a bit more about "Pierrot lunaire":
https://en.wikipedia.org/wiki/Pierrot_lunaire
to discover that it got a new interpretation relatively recently:
"In March 2011, Bruce LaBruce directed a performance at the Hebbel am Ufer Theatre in Berlin. This interpretation of the work included gender diversity, castration scenes and dildos, as well as a female to male transgender Pierrot. LaBruce subsequently filmed this adaptation as the 2014 theatrical film Pierrot lunaire."