Hacker Cinema
Road to Perdition
2002 · Film · 117 min
Directed by Sam Mendes
Mike Sullivan works as a hit man for crime boss John Rooney. Sullivan views Rooney as a father figure, however after his son is witness to a killing, Mike Sullivan finds himself on the run in attempt to save the life of his son and at the same time looking for revenge on those who wronged him.
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I think the psychological distance only partially explains the reversal in public sentiment from scorn to adoration. Obesity was never a serious problem in the communities I have lived in. The U.S's obesity epidemic is an abstract concept to me (as I have never experienced it first-hand), and yet I don't have any nostalgia for it.
Surely, it must be more than abstraction and omertà. Some drug organizations do not brand themselves with a public services front - see the TED talk by Rodrigo Canales http://www.ted.com/talks/rodrigo_canales_the_deadly_genius_of_drug_cartels?language=en.
I only speak for myself, but I like crime movies/drama for the allure of ruthless power. It's a unique sort of power that can only be obtained illegally, and at some great moral expense. This Faustian device makes for intriguing plots.
Who else can have a mountain of cocaine? Who else can execute business with such brutality? What other line of work involves Zero Halliburton cases stuffed with Benjamins, to go with high-powered handguns and sharp suits? These are proxies for power that a pleb like myself can barely begin to comprehend.
There's a scene in the Godfather Part II that I really like, when the nervous money-grubbing landlord comes into Don Corleone's office and gives him cash so that a previously disagreeable tenant can stay in his inn. The absurdity of the scene belies Corelone's power like the tip of an iceberg, and it's visually interesting to see a normal-looking guy wield such mysterious power.
This is echoed by the common "crime lord is the manager of a pizzaria by day" trope (Breaking Bad, Drive, Road to Perdition), where a seemingly weak front has a hidden-dragon kind of vibe.
To summarize, I think that "psychological distance" theory only carries the audience halfway, in that they don't feel the revulsion towards mobsters because they don't deal with them personally. I think most of the allure comes from the forbidden power.