I recently was asked to take over the role of Deputy Governor Danforth in The Crucible a week before opening. I accomplished it -- barely -- largely through rote memorization. Yes, I also had to imbue the words with appropriate intent and emotion, which I did not achieve by rote, but in a way it was comforting to have those specific words to start with, rather than make up some of my own that might or might not actually convey the proper intent, and almost surely not nearly as well as a luminary like Arthur Miller. As I see it, it's those words that establish my character, not the other way around.
I like how Patrick Stewart puts it [1], as "dead letter perfect", which is apparently the default expectation in British theatre more so than, say, film acting.
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I recently was asked to take over the role of Deputy Governor Danforth in The Crucible a week before opening. I accomplished it -- barely -- largely through rote memorization. Yes, I also had to imbue the words with appropriate intent and emotion, which I did not achieve by rote, but in a way it was comforting to have those specific words to start with, rather than make up some of my own that might or might not actually convey the proper intent, and almost surely not nearly as well as a luminary like Arthur Miller. As I see it, it's those words that establish my character, not the other way around.
I like how Patrick Stewart puts it [1], as "dead letter perfect", which is apparently the default expectation in British theatre more so than, say, film acting.
[1] https://www.theguardian.com/stage/2007/jul/29/theatre2