
The Many Saints of Newark
2021 · Film · 120 min
Directed by Alan Taylor
Young Anthony Soprano is growing up in one of the most tumultuous eras in Newark, N.J., history, becoming a man just as rival gangsters start to rise up and challenge the all-powerful DiMeo crime family. Caught up in the changing times is the uncle he idolizes, Dickie Moltisanti, whose influence over his nephew will help shape the impressionable teenager into the all-powerful mob boss, Tony Soprano.
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> Marshall McLuhan said that when one medium makes another obsolete, it frees up that previous medium to become an art form — which is what happened with the internet eclipsing TV. Around the early 2000s you had the Sopranos and other long-form TV programming emerge, shows which could genuinely be considered art. Recently there’s a new Soprano’s show based on Tony Soprano’s early life, The Many Saints of Newark. If they announced that next month the Muppets were doing a Soprano’s variant, I wouldn’t be surprised. As I said, everything goes on forever these days, sprawling out into seasons of episodes and spawning relentless new iterations. Kurt knew how to make an exit.
This year's Super Bowl featured an updated Soprano's intro with Meadow and A.J. in order to sell a truck. Other ads also brought back Dr. Evil and the villains of Austin Powers, an aged Jim Carrey reprising his role as Cable Guy, Guy Fieri, and Lindsay Lohan.
Coupland's onto something.