Hacker Cinema
The Smurfs
2011 · Film · 103 min
Part of The Smurfs (Theatrical) Collection
Directed by Raja Gosnell
AnimationFamilyAdventureComedyFantasy
When the evil wizard Gargamel chases the tiny blue Smurfs out of their village, they tumble from their magical world and into ours -- in fact, smack dab in the middle of Central Park. Just three apples high and stuck in the Big Apple, the Smurfs must find a way to get back to their village before Gargamel tracks them down.
3 negative2 neutralfrom 5 commenters
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5 comments on Hacker News
As a European, this article is the degree of pretentious, market-driven, and shallow, that fits perfectly with the Economist.
"Streaming subtitled box sets" are not "the new Eurovision", and Eurovision itself meant and means squat when it comes to "common European culture". (If anything Eurovision is something most of us watch for laughs, and more often than not we take sides and vote for countries we already knew and liked for other cultural and historical reasons).
We have had and have a quite good understanding of other European states and their cultures, even more so when they share the same borders (as it's often the case in Europe - to have 2, 3 or more countries sharing your borders and have millenia of interaction with them and their culture, plus "shared" areas of mixed culture, e.g. Strasbourg).
It's not the lack of Netflix's European programming or watching each other's shows that prevented a "common European culture".
Not to mention, we have had something like that, both in the high-brow sphere (for centuries), but also in the pop-culture.
E.g. non-artsy Italian and French cinema from Alain Delon to Bud Spenser was big all-over Europe until the 80s when Hollywood dominated with emphasis on impossible to meet big productions and vfx. European pop music frequently travelled all over Europe, from Al Bano to Roussos and from Nina Hagen to Kraftwerk. Comics too, French, English, Italian, Belgian, Spanish (to namedrop some that were published and loved all over Europe: Asterix, Tin Tin, Mortadelo y Filemon, Lucky Luke, Blek, Judge Dredd, the Smurfs, Manara, Corto Maltese, and so on).
And as somebody mentioned, Interrail and Erasmus have been going strong for 3 to 4 decades now or more... (I've done the first, and have had many friends doing both the first and the second.).
The Smurfs was a bad movie, but did well with young children, which is exactly who a lot of the Angry Birds memorabilia targets.
When I saw that The LEGO Movie had not even been nominated for the Academy Award for best animated picture, I immediately stopped the recording of the awards show, and deleted it from my DVR.
The decision to buy the DVD was absolutely effortless.
With respect to the team behind the Angry Birds movie, they're using Sony Pictures. On the one hand, they have a couple Aardman releases and Cloudy With a Chance of Meatballs. But on the other, they have The Smurfs.
"Pro quality" TV series? You mean like "CSI: Miami"? Or "Gilligan's Island"? Or do you mean movies like "The Smurfs" or the US version of "The Vanishing" or "Leave it To Beaver"?
Yes, I'd gladly do without all that TV and all the movies, and most or all of the books. Oh, and the popular music. Especially the music by Selena Gomez and Demi Lovato and Ashlee Simpson.
so basically it's Smurfs The Movie?