Hacker Cinema
The Whale
2022 · Film · 117 min
Directed by Darren Aronofsky
A reclusive English teacher suffering from severe obesity attempts to reconnect with his estranged teenage daughter for one last chance at redemption.
5 positivefrom 5 commenters
Where to watch
No streaming data for this title.
5 comments on Hacker News
Academy convention is to award older, more accomplished actors for previous work that was not awarded. Chalemet's age compared to Paul's is irrelevant. IRL, Chalemet is too young (compared to his competition in 2022) to be awarded an Oscar. Not technically, but in practice, Oscars are more like lifetime achievement awards. For example, Jamie Lee Curtis did not give an Oscar winning performance in Everything Everywhere All at Once, but they had to give it to her for her lifetime achievement and the fact that they awarded Oscars to two other actors in the film. That movie was terrible, but Michelle Yeoh deserves an Oscar for lifetime achievement. Ke Huy Kuan, 51, was certainly adequate, but the roll was nothing special. Hong Chau, 41, should have gotten his Oscar for her work in The Whale, which was a notably amazing performance. Kuan got it because of his age, even if his lifetime achievement is limited. Someone decided Everything Everywhere would sweep the Oscars, and it had everything to do with Michelle Yeoh's and Jamie Lee Curtis' lifetime achievements. The Whale was a far better film with more difficult acting that was nailed. It was just too controversial. Frasier got the Oscar even though his supporting actor Chau out-acted him, and pretty much everyone in all other movies. Her performance there was one of the best I have ever seen, and I had never heard of her. She'll be back.
Hahaha, I expected the criticism of my comment to be that too much of what I was counting as good is "high brow", in fact. Too artsy-fartsy. Leaning too much toward "The Green Knight" and not enough toward "Jaws".
[EDIT] Here, lemme just list the 2022 movies that I think were worth a watch if you're at all into the kind of thing they were doing:
Black Panther: Wakanda Forever Glass Onion Top Gun: Maverick Bullet Train All Quiet on the Western Front Guillermo del Toro's Pinocchio Crimes of the Future Death on the Nile Everything Everywhere All at Once White Noise Nope Prey The Sadness You Won't Be Alone Dual The Northman The Unbearable Weight of Massive Talent (arguably just a less-exciting RRR, but hey, it makes up for it by also being shorter and non-horror comedy *is* a bit weak lately, so it gets in) Watcher Dashcam (one of the most interesting movies I've seen in a long time—you may hate it, but you'll feel *something*, damnit!) The Banshees of Inisherin
This is just ones I've seen (I usually manage, like, 1/2 of the films in a year that I want to watch, at best) and excluding a few that did in fact suck or that I didn't think quite merited inclusion (e.g. The Menu) or that are good for what they are but are pretty narrow in appeal (Violent Night). Like, I hear Cyrano is great, Emily the Criminal, Bodies Bodies Bodies, The Whale, and a bunch of others, but haven't made it to them yet (and, inevitably, I'll end up never watching some of them).
"Quite a few of those are sequels, remakes, or adaptations! White Noise was a book! Death on the Nile! One of those is a marvel movie!" yeah, I know—good luck finding an era in Hollywood when a ton of the films, and even a ton of the good films, weren't such. I reject that as, specifically, a complaint about this moment in cinema (it has more merit as a criticism of cinema in general)
Have you watched the new Brendan Fraser movie "The Whale"? If so, what did you think about it?
In the movie he does some of the things you mention, but I don't think he was vilified in the movie. I saw him as a hero at the end. Some fat people on youtube were very offended by "The Whale", I'm curious if it is universally offensive to large people.
It's not that people only go for theme park rides, they'll also go for "kino" movies. That's why Tarantino can still do it. His movies are all about completely immersing the audience in the movie's world and making use of tech and techniques that make for an epic viewing experience.
No one wants to go to the theater for a "basic" (maybe intimate?) movie where the cinematography doesn't really matter, the sound and visual effects aren't interesting, there's no grand cinematic vibe, etc. Don't get me wrong, it might be a great movie, but why would I want to see it in theater instead of at home?
People will go to theaters for Spartacus and 2001: A Space Odyssey, not for Life Is Beautiful or The Pianist.
A more modern example: I'm really stoked to watch The Whale, but I will absolutely watch it at home. I don't see any point in going to the theater for it.
The whale is also pretty good. It's a documentary about a killer whale that was stuck in an inlet in Canada for years. It does a job at pulling strings, but it sold me on the animals have emotions bit. http://www.thewhalemovie.com/