Hacker Cinema
The Wind
2018 · Film · 88 min
Directed by Emma Tammi
Lizzy is a tough, resourceful frontierswoman settling a remote stretch of land on the 19th-century American frontier. Isolated from civilization in a desolate wilderness where the wind never stops howling, she begins to sense a sinister presence that seems to be borne of the land itself, and when a newlywed couple arrive at a nearby homestead, their presence amplifies Lizzy's fears, setting into motion a shocking chain of events.
3 neutralfrom 3 commenters
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3 comments on Hacker News
Lots of the central-eastern portion of the state is the beautiful Flint Hills area, which is obviously… hilly. Much of I-70 (the main route across the state east-west) features long horizons but lots of low hills in the distance. The West, central, and southwestern parts have the slowly but consistently rolling, low hills of something like the film The Wind or the famous painting Christina’s World (the one with the girl on late summer or early fall green-and-tan grass, looking away from the viewer toward a white farmhouse up a low hill). They’re all much flatter than much of the country, but they’re not flat flat. They’re not Central Nevada flat.
South-central and southeastern Kansas are about that flat. Though with somewhat more trees.
[edit] I mean the remake of The Wind from a few years ago. I’ve never seen the original Lillian Gish film.
> Conversely, living on top of a hill, the wind absolutely screams in winter. After two or three days of constant howling wind, sometimes I feel like I'm going nuts.
Indeed.
https://en.wikipedia.org/wiki/The_Wind_(novel)
https://en.wikipedia.org/wiki/The_Wind_(1928_film)
https://en.wikipedia.org/wiki/The_Wind_(2018_film)
Novel, film based on the novel (starring Lillian Gish!), and a much newer re-make.
I actually like Hans Zimmer a lot more than John Williams - the latter has a very distinctive style that can seem very in-your-face, more like an "Oh hey, this was done by John Williams" than something that best fits the film. Harry Potter, Star Wars, and Indiana Jones are all recognizable as Williams soundtracks, even though they're very different films.
Zimmer seems to vary his music a lot more to fit the needs of the film - it's just universally good, it's not universally Zimmer. The Lion King is very different from Crimson Tide, which is very different from Gladiator, which is very different from The Dark Knight and Inception.
BTW, I think Basil Poledouris (The Hunt for Red October, Wind) was another underrated film composer whose music is much better than his reputation.