Hacker Cinema
A Separation
جدایی نادر از سیمین
2011 · Film · 123 min
Directed by Asghar Farhadi
A married couple are faced with a difficult decision – to improve the life of their child by moving to another country or to stay in Iran and look after a deteriorating parent who has Alzheimer's disease.
5 positivefrom 5 commenters
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5 comments on Hacker News
So personally I like films that makes me feel something without that feeling being explicitly forced upon me. This is an incredible thing to achieve that only a select few directors can do. Not “baiting” the viewers into emotions but also not being cold at the same time. Just by showing and how do they show it. Like the case of “a picture is worth a thousand words”. It’s a razor thin line but that makes these films I enjoy special and sincere.
(I'll only mentions stuff from the 21st century because otherwise I'd sit here for days)
I love japanese cinema so I'm very biased towards films from there.
- The Taste of Tea (2004) from Katsuhito Ishii
- Nobody Knows (2004) from Hirokazu Kore-eda
- Tony Takitani (2004) from Jun Ichikawa
- Memories of Matsuko (2006) from Tetsuya Nakashima
- Departures (2008) from Yojiro Takita
- Still Walking (2008) from Hirokazu Kore-eda
- Tokyo Sonata (2008) from Kiyoshi Kurosawa
- One Million Yen Girl (2008) from Yuki Tanada
- Haru’s Journey (2010) from Masahiro Kobayashi
- Story of Yonosuke (2013) from Shuichi Okita
- Shoplifters (2018) from Hirokazu Kore-eda
- Drive My Car (2021) from Ryūsuke Hamaguchi
Two korean film I've really liked
- The Handmaiden (2016) from Park Chan-wook
- Pieta (2012) from Kim Ki-duk
A chinese film I've seen recently and it was pretty good
- Black Coal, Thin Ice (2014) from Diao Yi-nan
Iranian films are incredibly good and crazy what they could make despite the situation there
- A Separation (2011) from Asghar Farhadi
- Taxi (2015) from Jafar Panahi
- The Salesman (2016) from Asghar Farhadi
- There Is No Evil (2020) from Mohammad Rasoulof
- My Favourite Cake (2024) from Maryam Moghaddam and Behtash Sanaeeha
Some european films I've enjoyed
- Enter the Void (2009) from Gaspar Noé
- Leviathan (2014) from Andrey Zvyagintsev
- Alcarràs (2022) from Carla Simón
- Fallen Leaves (2023) from Aki Kaurismäki
And last but not least some actual Hollywood films that I think are pretty good
- The Tree of Life (2011) from Terrence Malick
- Cloud Atlas (2012) from Lilly Wachowski and Lana Wachowski
- First Reformed (2017) from Paul Schrader
- Nickel Boys (2024) from RaMell Ross
I did like A Separation for how it drew you into its ethical dilemmas, and also how it kept the truth hidden from you as much as it was for the main character who acts a witness to the unfolding conflict. I also thought the last scene was a beautiful counterpoint to the heaviness of the film.
Here's a top 100 Iranian films list which includes five by Kiarostami and one by Farhadi in the top 10:
https://letterboxd.com/fliptrotsky/list/top-100-iranian-films-scfz-poll/
A Separation is among the best dramas I've ever seen, period. It's been years since I've seen Children of Heaven but I recall very much enjoying it too.
A few of my personal favorites:
Joint Security Area and Old Boy - two movies of totally different style from brilliant Korean director Park Chan-wook
A Separation - an excellent Iranian family drama, great actors, a surprising script, my personal favorite from the last few years
Reservoir Dogs - and almost all Tarantino movies
Gran Torino - Clint's beautiful farewell
The Celebration - Dark comedy/drama, the highpoint of Danish Dogme 95 movement for me
I didn't say that this article is manipulation, just that most people see such countries only through the news. I'm just saying that many countries with cruel laws have interesting and colorful cultures worth exploring from a tourist's point of view. If someone is not comfortable with that, ok, I just don't thing people should be discouraged by that because in the end, it's not the politics that suffer but natives (current example: outage of tourism in Syria, and a few years ago, in Nepal).
Persepolis was great, check out other modern Iranian and Iranian/Kurdish productions, there's a bunch of awesome cinema there, to mention the most known ones: About Elly, Separation, Time of drunken horses, No One Knows About Persian Cats, Women without men, and lots of other. If you want to read something lightweight where culture and regime meet, check Lipstick Jihad.
> I've never subscribed to the "citizens are actually good, it's the governments who are evil" argument, it just shifts the blame, e.g. "the Nazis did it" by reification: governments are made of people and they, more or less, are populistic, following the majority's wishes. There are many parts of the society in Iran that back the current regime, don't think that everybody's against it.
(Godwin's Law alert)
No doubt, but such events as nazis comming to power or the islamic revolution are subjects too complex to discuss here in a comment (at least I don't have the intention at the moment).