Hacker Cinema
All Dogs Go to Heaven
1989 · Film · 84 min
Directed by Don Bluth
DramaAnimationFamilyComedyFantasy
When a casino-owning dog named Charlie is murdered by his rival Carface, he finds himself in Heaven. Wanting to get back at his killer, he cons his way back to the living with the warning that doing so damns him to Hell. Once back, he teams with his old partner, Itchy, to prep his retaliation. He stumbles upon an orphan girl who can talk to the animals, thus allowing him to get the inside info on the races to ensure his wins to finance his plans. However, all the while, he is still haunted by nightmares of what's waiting for him on the other side unless he can prove that he is worthy of Heaven again.
3 positive1 neutralfrom 4 commenters
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4 comments on Hacker News
I grew up with both Miyazaki and Bluth films.
I love Secret of NIMH, All Dogs Go To Heaven, etc. but let's not whitewash over history. He also did "A Troll in Central Park".
For every mediocre movie like Earthsea, there's also fantastic movies like Porco Rosso, Spirited Away, Naussica, etc - all of which I watched as a "kid".
They both had their highs and lows. Seems rather pointless to try and bench them against each other.
I don't really know how the GP thinks it applies, but a big lipped alligator moment is a term that originated from a review of the movie All Dogs Go To Heaven about a scene that is basically irrelevant to the plot or emotional development of the characters and is literally just a musical number starring a big lipped alligator.
If you didn't grow up with Bluth's work and only know his studio's output from the later years (the unyielding torrent of direct to video Land Before Time sequels)...you really owe it to yourself to watch his studio's earlier stuff. It came at the moment where he had just struck off from Disney, disenfranchised by the output of the other major animation houses, and has his clearest vision.
The Secret of NIMH is, IMHO, one of the finest animated movies ever made, but An American Tail, the original Land Before Time and All Dogs Go to Heaven are all masterpieces in the own and couldn't really be matched in terms of narrative and animation excellence until the early Pixar movies. They definitely have a distinct aesthetic and a certain style of animation and storytelling unique to the production house.
They lost their way somewhere, I think it was Rock-a-Doodle, and the studio just started hemorrhaging money and losing connection with their audience. Their last two major gasps were Anastasia, a beautifully animated film with a poorly targeted audience demographic and Titan A.E., an ambition mixed-media project, which apparently ran out of money (among other problems) during production and resulted in some hilariously bad computer generated graphics at the end but I think stands up better than Disney's Treasure Planet response.
In the end, the studio floated themselves on cheaply produced, but child friendly, direct to video sequels of The Land Before Time, which is notable as being an unbroked series of sequels dating from 1988 to 2016 which at least has had the advantage of being a series of characters I can share with nieces and nephews who also grew up with the same characters...almost like Star Wars.
Even if you're a staunch ally of safe, conservative family entertainment for its own sake, Disney was pretty damn crappy for a while. Look at their animated stuff in particular for plenty of mediocre storylines and bland animation (e.g. The Aristocats, The Fox and the Hound, Robin Hood). Children deserved better!
Eventually some meaningful competition from the likes of Don Bluth started to push them in the right direction (Secret of NIMH, Land before Time, All Dogs Go to Heaven, etc.) and not too long afterward they were doing things like Little Mermaid, Beauty and the Beast, Aladdin. Quite an improvement, though I dare say the storylines have never quite caught up. (Of course, all of Bluth's stuff would later be undermined as it was sequel-ized to Hell and back, like The Land Before Time XXIV: Teach Your Kids Roman Numerals Edition...)
Right now, though, after seeing Pixar's homages to Ghibli, I'm anticipating the impact of recent works like Puella Magi Madoka Magica, which really pushed some boundaries in Japan. (If you're not familiar with it, I'll just say... imagine if Pan's Labyrinth had been actively marketed to little children as a happy family film and an homage to Alice in Wonderland... and then translate that willful deception and the profound darkness onto Sailor Moon.) If it does make a splash in the youth entertainment industry at large, that will be quite interesting indeed.