Hacker Cinema
Buck Rogers in the 25th Century
1979 · TV series · 60 min episodes · 2 seasons
Created by Glen A. Larson, Leslie Stevens
ActionAdventureScience FictionFantasy
20th-century astronaut Buck Rogers awakens in the 25th century after a freak accident puts him in suspended animation for 500 years. Upon returning to Earth and discovering the planet is recovering from a nuclear war, Buck uses his combat skills and ingenuity to protect Earth and fight evil throughout the galaxy alongside starfighter pilot Colonel Wilma Deering and robot companion Twiki.
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3 comments on Hacker News
Speaking of the eighties, special effects were still done without CGI and typically on the cheap. That didn't make the movies and television series any less fun to watch. In the end it's about what people do with the tools, not the quality of the tools. People commenting on how these generated videos are not perfect or are getting some details wrong, look at some blockbuster movies from last century. It's very easy to spot the special effects. And it did not matter.
But yes 80s science fiction is now science fact. Talking cars like in night rider are now definitely a thing. Some can even drive themselves. The robots in Buck Rogers, Star Wars, etc. look clumsy and fake compared to the real humanoid bots we are now starting to see. More close to I Robot, which when it came out 22 years ago was pure science fiction.
As a big fan of Jodorowsky (L'Incal is one my favourite graphic novels ever), I think we could also unequivocally say that whatever he had made would not have been very faithful to the book. It's quite possible that Dune fans would have been even less happy with Jodorowsky's film than Lynch's.
We also have to remember that this was before Star Wars and Alien. Most scifi at the time was, with some honourable exceptions (2001: A Space Odyssey, Silent Running, The Andromeda Strain, Solaris), pretty silly, childish, often campy stuff: The Black Hole, Buck Rogers, Moonraker. Pulp origins aside, Star Wars introduces a level of violence, maturity and realism to the genre that stood out at the time, and closer to that of contemporary adult 1970s productions like Apocalypse Now, Easy Rider and so on.
For all the considerable talent involved in the Dune adaptation, it's quite possible — and this eases the pain over the loss of the project a bit — that it would have been closer in tone to something like Zardoz or Flash Gordon, i.e. a big, colourful, but ultimately also a bit silly extravaganza. Even O'Bannon's Alien script was also pretty pulpy and silly until Ridley Scott, David Giler and Walter Hill hammered it into shape.
Still only part way through and though I don't entirely agree with all the conclusions the thought experiment is proving to be fun.
This however is my favourite point so far as I had never really thought about it this way when watching popularized SciFi.
Another thing about motion in space is that changing your ship’s orientation does nothing to your speed and vector unless it is accompanied by firing your main engine, because there is no friction. This means that all those space dogfights where one fighter gets behind the other and the other one has to try and shake it like in air combat are very unrealistic. There’s no comprehensible reason why the pursued pilot can’t just turn his fighter around and blast the bugger.
Buck Rogers in the 25th Century TV series has just been ruined for me. Wait, no, it still had Wilma Deering, so all is not lost.