Hacker Cinema
Burning
버닝
2018 · Film · 148 min
Directed by Lee Chang-dong
Deliveryman Jong-su is out on a job when he runs into Hae-mi, a girl who once lived in his neighborhood. She asks if he'd mind looking after her cat while she's away on a trip to Africa. On her return, she introduces to Jong-su an enigmatic young man named Ben, who she met during her trip. One day Ben tells Jong-su about his most unusual hobby.
4 positivefrom 4 commenters
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4 comments on Hacker News
his movie was very bad and simplistic while human nature is a deep topic. almost a caricature of a movie. the same year, on the same topic, in the same country, Burning was released. Highly recommend
Not to diminish your point, but I do think that the idea of Shechu has been so imbued in contemporary Chinese popular culture that for many Chinese this is not that serious or artsy a game (think any Netflix popular show that touches some serious social issues -- it can be well-made but usually not that artsy). It will be harder for a general audience to explore a past social culture (e.g. cold war, great depression) than to explore a present, popular culture.
Also not disagreeing with you -- it will be awesome to play some serious game about the new deal/anti-vaxxers. In general, seeing discussions on game design across HN, I think we (HN as a whole) can be more exploratory in our games, going beyond "being serious, well researched, and non-predatory". The sense of ambiguous loss brought by To the Moon is one direction in this. Some other random examples pioneered by films that I think we should explore include more subtle ambiguity in narratives (e.g. Burning (2018)) or delicacy in depicting the adolescent female experience (e.g. Marie Antoinette (2006)).
I disagree pretty strongly. It has felt like Netflix is deliberately pushing more foreign language content with bad dubbing and often the structure and execution is pretty amateur (eg Ares). They seem to rely on the mere fact it is foreign for it to be bought into as indie or cultural, but the shows are just bad.
It strikes me as s deliberate marketing tactic. Instead of investing in creating nice, acclaimed dramas, they put that money into relatively more garbage shows that cater to mass audiences and try to find shortcuts to repurpose that content and repackage it to “kill two birds with one stone” and cater to the indie niche with it.
But the tactic doesn’t work, and now my Netflix menus are filled with super frustrating noise of these foreign shows, often which you can’t tell are foreign until you press play. It has made the platform nearly unusable to me.
The crazy thing is that I love a lot of foreign movies and shows. Amour, You Are the Apple of my Eye, Burning are some of my favorite films. But the things Netflix is pushing on me are more like network-level crap dramas with a clear attempt to make you feel like they are fancy merely by being foreign.
The book is by definition a classic. The movie is not my favorite of Baz Luhrmann's. What's this got to do with Roma?
Speaking of Great Gatsby, I did enjoy Burning.
The Princess Bride... now that’s a classic.