Hacker Cinema
Isle of Dogs
2018 · Film · 101 min
Directed by Wes Anderson
In the future, an outbreak of canine flu leads the mayor of a Japanese city to banish all dogs to an island used as a garbage dump. The outcasts must soon embark on an epic journey when a 12-year-old boy arrives on the island to find his beloved pet.
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13 comments on Hacker News
It's very odd. I thought Asteroid City (a really tough watch, like eating a 3 day old biscuit without water to wash it down) and Isle of Dogs were the most stilted. I didn't like Darjeeling Limited when I first saw it. It's visually and musically beautiful but maybe was too close to home so I was bored of the brothers relationship, also, I don't really think Wes Anderson can do sex scenes. Scenes of intimacy sure, but not sex scenes. I found it very awkward on the first viewing, I've grown to like it more but... idk, it has some issues still I think outside of that. Pretty much every deeper aspect of that film I don't like, even the brothers character arc I find meh. More than most of his movies I think it showed that he can't really enter into the headspace of the economically disadvantaged.
The Roald Dahl short stories on Netflix were very dysfunctional but so obviously in the spirit and tone of Roald Dahl that I thought they were actually very faithful to his writing, I think Wes Anderson did a rare thing in transliterating those stories to screen, the good and the flaws in tone are directly from Roald Dahl who I really enjoyed as a kid because the absurd and ironic detachment, the odd meanness of spirit, was rare in childrens books at the time (maybe still is, idk). I didn't enjoy them as film but I did enjoy their faithfulness to the authors work.
Dispatches felt like basically Wes Anderson explaining his own personal feelings of his life, being an ex-pat enamored but disconnected from his new home country, I could be wrong but it felt like it was the closest he'll ever have to an autobiography. It was effectively a short story format as well. I mean the guy went from being a Texas rube / self manufactured dandy dreaming of exotic locations through the lens of the fucking new yorker (what a weirdo right?) to living in Paris, what an odd personal life arc, the film felt like it was all exploring that. As someone who has lived in these kinds of personal cultural displacements and unexpected life arcs it felt very obvious, and I really enjoyed that part. This could all be projection of course.
I don't know, I wonder if he has the pathos required for long form any more, maybe he is just bored with the traditional arcs they require (I'm getting older and it's very easy to get bored of any consumptive activity) but he can't really seem to find his footing on short stories either. Maybe he's happy and resolved trauma and can't speak to it in that subtly authentic way anymore. I loved Life Aquatic, I loved the exploration of an unsympathetic main character who didn't want to realize why he had become unsympathetic, I already loved Seu Jorge and so the soundtrack is perfection to me as well.
He has put out 5 films in the last 7 years. Wes Anderson might just be a victim of his own productivity, his work could benefit from some scarcity.
Anderson nonetheless is still quite inventive and experimental in his films, he's always doing new things, and usually those new things are in the details, and of course, those new things tend to play into his trademark style. Asteroid City played like an excuse to play around with clever camera movements. Isle of Dogs did weird things where the image and sound were providing diverging narratives that would come back together.
Anderson's trademark style is annoying to me only when my interest in the characters and story is lacklustre, but for every Anderson film I'm not that into I know at least one person who loves it.
I think it would be unreasonable to expect him to reinvent his filmmaking style dramatically. There are other filmmakers out there making movies for those who've had their fill of quirky Wes Anderson flicks.
I dunno, 2015, I'm a little weak on this year: It Follows, Creed, Ex Machina, Max Max: Fury Road, Sicario, The Hateful 8. I'd watch those again with someone any time, and recommend all of them often. Several on my to-watch list most of which I expect to be good, like Queen of the Desert, While We're Young, Slow West, and The Overnight, just haven't made it to them yet. Not an exhaustive list, just gleaned from some titles I have at hand.
2016: Green Room, The Nice Guys, Hail Caesar!, The Neon Demon, Swiss Army Man, Hunt for the Wilder People, The VVitch, Train to Busan, Shin Godzilla, Moana (hey, I like this one), Arrival. Moonlight's on my to-watch and is supposed to be really good.
2017 (I've done OK on catching up with these!): The Lost City of Z, Dunkirk, Low Life, Good Time, Logan Lucky (absolutely slept on, kills it as a feel-good lightweight small-stakes heist movie), Blade Runner 2049, The Death of Stalin (I liked this less than a lot of folks, but given how widely-loved it was, I'm probably the idiot here), One Cut of the Dead, You Were Never Really Here. The Planet of the Apes movie from that year, plus Phantom Thread, and The Little Hours are to-watch for me and come highly recommended.
2018: Annihilation, Isle of Dogs, Upgrade, Sorry to Bother You, High Life, Eighth Grade, the Suspiria remake. To-watch that I expect to be good include Champion (Korean arm wrestling movie—there's another movie by the same name that year), First Reformed, BlacKkKLansman, The Favourite, The Wolf House, Climax, and some others.
2019: HUGE year for the particular (small) set I'm seeing on my list, including a ton to-watch but a bunch I've seen. Uncut Gems, The Lighthouse, Knives Out, Little Women, JoJo Rabbit, Ready or Not, Parasite, Midsommar, The Art of Self Defense, maybe Marriage Story (but if you've seen one Baumbach movie, you've kinda seen them all, and I'm not sure I'd put it above The Squid and the Whale). Midway's a well-above-average war movie and pairs great with Tora, Tora, Tora! as a crazy-long double feature in a really fun way. To-watch list is nuts and I really need to dedicate a month or so to filling out my watched-list for this year: First Cow, The Irishman, Portrait of a Lady on Fire, Bacurau, Once Upon a Time in Hollywood, The Farewell, The Souvenir, Blow the Man Down, The Vast of Night, Her Smell, Funan.
It basically just keeps going like that, year after year, and I've barely even tried to dredge up good movies for most of those years, the bulk of it's just stuff that's risen to my attention one way or another, and I'm terrible at keeping up with foreign film especially. I also left off some that a lot of folks would probably include, like at least one Mission Impossible (aside from MI2, I think these are all pretty good action movies, though quality varies a bit) and Avengers: Endgame which, opinion on the rest of Marvel aside (I think it's mostly kinda lazy crap? But was basically entertained for most of them regardless, so I guess I can't complain too much) was a hell of an event. Also Black Panther, which everyone loved but I was pretty meh on (I hate the entire end fight, and it's looooong)
Just an obligatory link to the awesome and relatedly-inspired Wes Anderson movie, ICYMI:
https://en.wikipedia.org/wiki/Isle_of_Dogs_(film)
Don't forget to spay and neuter your pets.
Isle of Dogs is great! Disney+ is hardly the only place you can watch it though, and a lot of the other original Disney programming feels like Marvel-driven padding. The latest Pixar stuff is pretty mediocre relative to what they were making a decade ago, and Disney's modern films are... sketchy.
If you get a kick out of it, then more power to ya. Disney even gives you a place to put your money where your mouth is. For my money though, there's a lot more entertainment value to be found elsewhere.
I recently did a month of Disney+ when they sent me promo for first month for $2.99.
During that month I watched the Pixar movies Soul, Luca, and Turning Red (and rewatched Onward). I also watched the Disney movies Raya and the Last Dragon and Encanto. And Wes Anderson's Isle of Dogs. Oh, and also the latest Dr. Strange and Thor Marvel movies, plus the Loki series.
Are you seriously claiming that all that was garbage?
They can be great screenshots, no doubt! Stop motion animation can be great too. I've heard great things about Isle of Dogs, and other stop motion movies from studio Laika. And yeah, they can certainly be artistic.
10 years is a lot of time, and "worth saving" is a very low barrier.
I'd classify Kubo And The Two Strings, and Inside Out as must-watch films. Spiderman: Into The Spiderverse set new boundaries for what's possible with animation.
Moana, Zootopia, Big Hero 6, Wreck-it Ralph, The Incredibles 2 and Finding Dory are all pretty good films, and definitely tick all the boxes you listed.
I'm not even looking at Anomalisa, Isle of Dogs, and other such more adult-oriented animated films.
Isle of Dogs (2018): https://en.wikipedia.org/wiki/Isle_of_Dogs_(film)
It seems like you like good films from auteurs - Dunkirk (Christopher Nolan), Isle of Dogs (Wes Anderson).
The great thing about films like that is that if they do age, they age very well, and there are hundreds of films by auteurs you'd probably enjoy.
AFI Top 100 movies, the Criterion collection, or just going through a director's previous films.
If you liked Dunkirk, have you seen the Band of Brothers TV series?
I highly recommend checking out a film festival if you like seeing original films. Most film festivals only show movies that have yet to be public. There are hundreds of movies a year that are shown at film festivals and never seen again.
As someone who doesn't like the Marvel movies and is losing interest in Star Wars it feels like the are fewer movies for me to enjoy in the cinema than there was even just a year ago. There were times my wife and I went to the cinema twice on one weekend because there was so much stuff we wanted to see. This year we've watched Isle of Dogs. Before that was Three Billboards Outside Ebbing Missouri which was in December. Last summer we had Dunkirk, Babydriver and shortly after the new Blade Runner. This year everything seems dominated by Marvel and SatWars. Even upcoming movies on IMDb look bleak to me.
I really enjoyed going to the theater to see Isle of Dogs (at Alamo). Sure, it wasn't cheap but the experience was great and it's not much more expensive than the nice dinner + drinks people do every weekend.
The problem for movie theaters is that while I enjoy the experience, I'll only go max twice a year.
You could also give the recognition system an additional hint by dropping in "the movie", "the play", etc. -- "where is the movie 'Isle of Dogs' playing?", "where is the play 'Death of a Salesman' playing?"