
Little Dieter Needs to Fly
1997 · Film · documentary · 77 min
Directed by Werner Herzog
Three decades after German-American pilot Dieter Dengler was shot down over Laos, he returns to the places where he was held prisoner during the early years of the Vietnam War. Accompanied by director Werner Herzog, Dengler describes in unusually candid detail his captivity, the friendships he made, and his daring escape. Not willing to stop there, Herzog even persuades his subject to re-enact certain tortures, with the help of some willing local villagers.
2 positive2 neutralfrom 4 commenters
Where to watch
No streaming data for this title.






4 comments on Hacker News
> I had never seen a war movie produced outside of Hollywood. Or a director with primarily french influences producing a war movie.
Not sure if the stipulation is a war movie about Vietnam, or just plain a war movie. But certainly here's a list of some non-U.S. 20th century war movies, very vivid, biased towards France:
The Battle of Algiers (French, Gillo Pontecorvo, 1966)
Come and See (Russian, Elem Klimov, 1985)
Ivan's Childhood (Russian, Andrei Tarkovsky, 1962)
Beau Travail (French, Claire Denis, 1999) -- OK, soldiers but not war
Army of Shadows (French, Jean-Pierre Melville, 1969)
A Man Escaped (French, Robert Bresson, 1956) -- POW, not front lines
Little Dieter Needs To Fly (British/French/German?, Werner Herzog, 1997) -- actually relates to the war in Vietnam
I love many of Werner's movies (and dislike a couple). He tends to root things in historical fact without going too far afield. His protagonists are usually realistically flawed and frequently outright unhinged (e.g. most of Kinski's roles). Many of his films have a uniquely lyrical character, and his taste in music usually coincides with my own. (If you hate the music a director chooses it often makes it hard to like his films). His documentaries (e.g. "Little Dieter Needs to Fly" or "Grizzly Man") feature unique and fascinating people, and Herzog digs deep into their stories.
It's okay to hate good films though. A big part of appreciating culture is learning to recognize when something is good, but not for you. e.g. Many go gaga for Antonioni's "L'Avventura". It may have done some pretty revolutionary things for film, but I hate it with a passion. I can't stand it's plot structure and loathe every one of it's characters. I recognize that it is a good film, but also that it's not for me.
Be careful to say, "I didn't like that film" instead of "That is a bad film because I didn't like it".
More pathos from Werner Herzog: Little Dieter Needs to Fly
https://www.imdb.com/title/tt0145046
No, not really. You can tell a true story with a narrative film, or a documentary; what Herzog believes is that there is a truth beyond a strictly factual accounting, and he makes movies informed by this belief. There are a variety of techniques, but the most obvious is inserting himself into someone else's story, whether this is talking explicitly about the difficulties of making Cave Of Forgotten Dreams, or the scenes in Grizzly Man where he views Treadwell's death footage and then makes an in-camera judgement about showing it more widely; or basically all of Little Dieter Needs To Fly, wherein he takes Dengler back to Indochina and subjects him to much of the same suffering he experienced in his escape.
This also works in reverse, of course, notably with Fitzcarraldo, where he replicates an insane feat of human ingenuity that wasn't actually part of the real life Fitzcarrald's story.
In any event, all of Herzog's movies are worth viewing from my highly fan-boyish perspective.