Hacker Cinema
Monkey Business
1952 · Film · 97 min
Directed by Howard Hawks
Research chemist Barnaby Fulton works on a fountain of youth pill for a chemical company. One of the labs chimps gets loose in the laboratory and mixes chemicals, but then pours the mix into the water cooler. When trying one of his own samples, washed down with water from the cooler, Fulton begins to act just like a twenty-year-old and believes his potion is working. Soon his wife and boss are also behaving like children.
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2 comments on Hacker News
Honestly... I don't think there's much difference between games and other forms of media in terms of longevity in the public consciousness. "Singin' in the Rain" was released in 1952 and might very well still at least ring a bell today, but what about "Monkey Business" or "Viva Zapata!", released the same year? Those films even had some pretty big names (Marilyn Monroe and Marlon Brando). Even nowadays, there are still plenty of "shovelware" movies out there.
That being said, I think the real difference comes down to the fact that games are (by necessity) relatively tightly coupled to the hardware required to run them. Movie projector systems, while complex, are still much "dumber" than a computer. I think it's safe to say that if you have a film print from, say, the 60s, there would probably be a range of projector models from the preceding decade that could play it.
By contrast, if you have a copy of a PC game from, say, 1996, you're going to have to pay a lot more attention to its specific hardware requirements in order to build a system that's capable of running it. That raises the skill floor to run it in the first place. Honestly, I think this is one reason console retrogaming is so popular: to play a game, you only have to get a hold of a working console. The problem these days is that consoles are becoming more PC-like, so they're kinda backing into the same problems as PCs.
Rey and his wife escaped the Nazis on bicycles:
From the article:
> They fled in June 1940, just as German troops were closing in on the French capital, escaping on bicycles cobbled together from spare parts. They carried with them only their clothes and a satchel full of early George drawings. They made their way to Spain and eventually to Portugal; in Lisbon they caught a steamer to Brazil, and from there continued to New York. (Their story is also the subject of Ema Ryan Yamazaki’s charming 2017 documentary, Monkey Business, which also looks at the Reys’ lives more broadly.)