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Murphy Brown
1988 · TV series · 24 min episodes · 10 seasons
Created by Diane English
Murphy Brown is a recovering alcoholic who returns to the fictional newsmagazine FYI for the first time following a stay at the Betty Ford Clinic residential treatment center. Over 40 and single, she is sharp tongued and hard as nails. In her profession, she is considered one of the boys, having shattered many glass ceilings encountered during her career. Dominating the FYI news magazine, she is portrayed as one of America's hardest-hitting (though not the warmest or more sympathetic) media personalities.
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7 comments on Hacker News
> does that mean they would have been able to make it without licensing it from the author?
yes and it's possible someone could have done it even better, had they not been required to convince investors to purchase copyright. GoT was a masterpiece, don't get me wrong, but it's a fallacy to think it couldn't have been better, or that other book adaptations could have been as good or better, without copyright being in the way.
It's a minor issue in the grand scheme, but my pet peeve is with "synch licenses" (not sure if that's even the right term), but where sitcoms can't go to home video because of stupid disputes about shitty songs that happened to be included. Did anyone watch "Married With Children" because of Frank Sinatra's song "Love and Marriage" in the intro? It's a catchy song, and I'm sure it lured people in who might have otherwise changed the channel, so yes it has value. But it should only be a tiny fraction of the royalties for a full performance of the song. doubly so for home video releases. Would anyone buy even 1 season of MWC just to hear the Sinatra song? I say no. And therefore should not be required to pay any royalties.
I am watching "Murphy Brown" reruns from pirateflix because apparently it never went to home video because of license disputes about the 60's soul songs in the intro. They add character to the show, for sure. But they're not why I watch the show. I watch it for the story and the acting. In this case, actors (who worked extremely hard over 10 seasons of that show!) are being wrongfully deprived of royalties because record execs can't be reasonable about how much 10 seconds of a 60 -year-old song is worth.
> The whole point of the TV show was "Murphy Brown was divorced, and then she decided it was fine to have a child."
Here's how the Wikipedia plot synopsis describes it: "In the show's 1991–92 season, Murphy became pregnant. When her baby's father (ex-husband and current underground radical Jake Lowenstein) expressed his unwillingness to give up his own lifestyle to be a parent, Murphy chose to have the child and raise it alone." If you were to see a real-life woman in the same circumstance, what would you advise that she do instead? And why are we blaming the mother for the problem of deadbeat fathers?
> nobody goes into it wanting to go it alone
I think this is missing the point of the controversy. The argument at the time was that it was fine for women to chose to have a child without being married. It was not about "couples should stay together for the sake of the children".
The whole point of the TV show was "Murphy Brown was divorced, and then she decided it was fine to have a child." That is, if a single women wanted to have a child, she should. There was no need for her to first establish a working marriage first.
The top 5 scripted TV shows in 1992 were Roseanne, Home Improvement, Murphy Brown, Murder She Wrote, and Coach. The only show in top 30 that I would say was any good is Seinfeld.
Today, broadcast TV seems to be mostly procedurals and cable TV is mostly reality. If you like sitcoms, there has definitely been a dropoff since those have lost popularity.
Streaming is where can find the good TV shows. Remember, 1992 is before HBO started making good dramas and those were pretty rare before then. The big advantage of streaming is the variety, there are a bunch of mediocre shows in genres that barely existed before.
I just finished watching Derry Girls on Netflix, a comedy set in Northern Ireland during the Troubles. I would rather watch the 18 episodes of that than any amount of 90s sitcoms.
> Also, what states have the individual find themselves on the voter roll? I've always had to provide the proof of my ID/address to a person at the polling station and they would find my ballot.
In my state you show up and give a poll worker your name, and they look it up in a binder with the list of registered voters for the polling station and cross it off. The binder's open on a card table, so if you have good eyes and can read upside down you could get a name. I'm pretty sure there was a Murphy Brown episode where the title character actually committed vote fraud in this way (to vote before she was old enough).
States do provide voter databases of registered voters (at least to the major parties for electioneering), so if you had access to one you could find a name to use. My state definitely does, because I once got election mail with my voting history for the last 5 or 6 federal elections.
> Murphy Brown
Great catch. I think Sorkin followed that model in Sports Night, probably trying to emulate MB's feeling of crashing into a busy production room. Can't think of an earlier one though.
I, Claudius also just had a title card, a snake crawling across a mosiac, but it somehow dragged that out for a full thirty seconds according to YouTube, so I'm not sure that really counts.
In film apparently Lucas got in trouble for not crediting the director in his title-only opening for Star Wars, leading him to resign from the guild. The practice became more common though, Clint Eastwood has done title-only openings for everything he's made.
Brief history of the length of opening credits sequences here, with Family Matters as one of the most excessive examples: https://theweek.com/articles/632836/brief-history-tv-shows-opening-credit-sequences
Even that misses Murphy Brown though, so now I'm not sure anyone's thoroughly done the research. Where's Abed when you need him?
Murphy Brown was the first show I can recall that dispensed with a theme song entirely and just displayed the credits over the opening scene. I remember thinking it was a revolutionary change (especially for a sitcom) when I first saw it back in the early 1990s.