Hacker Cinema
Man with a Movie Camera
Человек с киноаппаратом
1929 · Film · documentary · 68 min
Directed by Dziga Vertov
A cameraman wanders around with a camera slung over his shoulder, documenting urban life with dazzling inventiveness.
11 positive5 neutralfrom 16 commenters
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19 comments on Hacker News
Thanks! Here's the full list: 2001: A Space Odyssey, 8½, Aguirre the Wrath of God, Ali: Fear Eats the Soul, All That Heaven Allows, Apocalypse Now, Ashes and Diamonds, A Woman Under the Influence, Barry Lyndon, Bicycle Thieves, Breathless, Casablanca, Céline and Julie Go Boating, Chinatown, Chinese Roulette, Citizen Kane, City Lights, City of Pirates, Contempt, Daisies, Damnation, Dishonored, Earth, Electra My Love, El Topo, Eraserhead, Eyes Wide Shut, Film Socialisme, Fitzcarraldo, Fuego en Castilla, Hiroshima Mon Amour, Holy Motors, Inauguration of the Pleasure Dome, In a Year with 13 Moons, India Song, Inland Empire, Irma Vep, Koyaanisqatsi, La Dolce Vita, La Jetée, Late Spring, L'Eau de la Seine, Le Voyage dans la Lune, Lolita, Los Olvidados, Lost Highway, Lucifer Rising, Man with a Movie Camera, Metropolis, Mirror, Mulholland Drive, Night Music, Ordet, Orpheus, Persona, Pickpocket, Playtime, Psycho, Rebecca, Rosemary's Baby, Rumble Fish, Scarface, Seven Samurai, Sherlock Jr., Singin' in the Rain, Stalker, Sunset Boulevard, Taste of Cherry, Taxi Driver, Testament of Orpheus, The 400 Blows, The Blood of a Poet, The Cabinet of Dr. Caligari, The Color of Pomegranates, The Green Ray, The Holy Mountain, The Isle, The Lady from Shanghai, The Night of the Hunter, The Passion of Joan of Arc, The Seventh Seal, The Spirit of the Beehive, The Tales of Hoffmann, The Tree of Life, The Turin Horse, Time of the Gypsies, Tokyo Story, Touch of Evil, Trans-Europ-Express, Ugetsu, Un Chien Andalou, Uncle Boonmee Who Can Recall His Past Lives, Vampyr, Videodrome, Wavelength, Werckmeister Harmonies, Wild Strawberries, Moonlight Sonata, Stellar, The Haunted House Biased toward European art cinema, experimental work, and directors who broke conventional narrative rules.
The prior generation of film students grew up the same way, and the one before that. Remember westerns, for example?
If you're a film student, presumably you are interested in the art and technique, and then films like "Man with a Movie Camera" are fascinating and beautiful. Similarly, Vim does not appeal to a public accustomed to simple apps, no learning curve, gamification, and lots of graphics; but computer professionals see it as a thing of beauty.
Yeah but you have to watch Man with a Movie Camera with a good soundtrack like The Cinematic Orchestra one. Then it becomes the best non verbal movie ever.
In defense of the students: the types of films that you watch as part of a film study curriculum are generally not the same as what most cinema-goers are watching. For example, "Man with a Movie Camera"--or 150 minutes of someone's black and white movie about the life of urban pigeons... present-day film students who grew up watching movies with tight editing, fast cuts, high resolution color and sound, and quick narrative payoffs are not going to respond to these movies the same way that people did a century ago.
This is not to say that historical films lack value; but sitting all the way through them with rapt attention is not necessarily as easy as you'd imagine.
Yeah non verbal movies like this one, Man with a Movie Camera, Etudes sur Paris, Baraka, Samsara etc. are my favorites !
Mentioned in another comment, but if you like Baraka, seek out the film Man With a Motion Picture Camera (or Man With a Movie Camera), it's the progenitor of both Baraka and the qatsi trilogy. There's a version with a score performed by Cinematic Orchestra that is just amazing!
Another great glimpse into the everyday life of the Soviet Union of an earlier period, the 1920s, is the movie "Man with a Movie Camera" from 1929: https://www.youtube.com/watch?v=7ZkvjWIEcoU. It is an experimental documentary which is considered a classic of cinema.
I've been picking from a different list (the huge meta-list project from They Shoot Pictures Don't They, which I think does factor in the 1001-films book as one of a whole bunch of things they feed to their Algorithm) but yeah, a lot of the pre-1930 films were a real slog, at least in part. I only bounced off a very few but I was pretty damn bored for long stretches of some others, I think justifiably so.
Big misses for me were anything horror (Nosferatu, The Cabinet of Dr. Caligari—hell, maybe I just don't like German Expressionism?).
Surprise hits were some of the more arthouse films. A Propos de Nice and Man with a Movie Camera were two I loved and are both definitely not conventionally-entertaining. They don't even feature narratives, in any normal sense (but they kinda do?). I also dug some of the Big Damn Movies like Intolerance and Gance's Napoléon—but that wasn't universal, because I found Birth of a Nation unwatchable (I gave it like 90 minutes then bounced—I'd enjoyed none of it, and not just because of the terrible message). Nanook of the North was another surprise hit for me—OK, it's kinda faked or whatever, but they fucking hunted a walrus, for-real, using traditional methods. That they were doing it when they did might have been "fake" because they didn't really do it anymore, but they did it, for-actual-real, which was just nuts to watch, among other things that were "fake" but more-real than a lot of what you might be able to see today.
I just want to link to Dziga Vertov's most famous movie "Man with a movie camera": https://www.youtube.com/watch?v=cGYZ5847FiI
Offtopic, an early-ish film that impressed me is ‘The Rules of the Game’ (‘La Règle du Jeu’) by Jean Renoir, from 1939. I somehow stumbled across it long ago, and recently had to wade through Wikipedia looking for its name, because I realized how alive it was for its time—it's basically ‘French new wave’ before even the WW2, and does quite much remind of Fellini. Maybe I'm watching too few pre-war films, but e.g. ‘Citizen Kane’ looks rather stilted compared to ‘The Rules of the Game’.
Apparently the picture was originally poorly received and quickly recut to a shorter time, but reconstructed in the 50s back to 110 minutes—so it's best to make sure to see this version.
One other, even earlier film that has the same lifelike quality for me is ‘Man with a Movie Camera’ by Dziga Vertov, which is not even a fiction film per se but sort of a documentary. Originally a silent film, but now best enjoyed with the soundtrack by Cinematic Orchestra: https://www.youtube.com/watch?v=cGYZ5847FiI
P.S. Wim Wenders said in his quasi-documentary ‘Tokyo-Ga’ about director Yasujiro Ozu, that previously films were about life as it is, as opposed to now that both life and films feel more and more like dreams. That's the impression that I get most from European films from around the 50s and the 60s: French new wave, Fellini, Bergman—even though Fellini constantly swerved into the territory of fantasies. ‘The Rules of the Game’ is also in this company for me.
Except for “Man With A Movie Camera,” which is phenomenal with Cinematic Orchestra's soundtrack. Probably not so free, but it can be found here and there.
Also, it's such an excellent fit in Ninja Tune's catalog.
Great question!
Patricio Guzman: La batalla de chile, Nostalgia de la luz, El boton de nacar (i.e. everything I've seen so far)
Bob Connolly & Robin Anderson - First Contact, Joe Leahy's Neighbours, Black Harvest (Trilogy about a half-white, half-native New Guinean farmer)
Werner Herzog - (apart from those already mentioned) Lessons of Darkness, Les Blank's Burden of Dreams
Everything by Scott Noble - watch on metanoia-films.org/
Bus 174, Harlan Country USA, How To Start A Revolution, Silenced (2014), War on Whistleblowers, The Century of the Self
Man with a Movie Camera, Man on Wire, Dark Days, Kumaré, Dear Zachary, Children Full of Life (2003)
Schiele or Baraka or I-Be Area ?
Schiele or Baraka or I-Be Area ?
An expressionist painter (now dead), a non-narrative movie-length documentary by someone who still lives, a series of deranged surreal video shorts also by someone living.
The only thing that unifies those three things is that you used them in a sentence together.
Can I play?
Tanguy or Man with a Movie Camera or Dead Mall Series !
Did I win‽
All documentaries by: Scott Noble (available free at his site http://metanoia-films.org/), Patricio Guzman, Werner Herzog, Adam Curtis, The Yes Men.
Other great documentaries: Man with a Movie Camera, Sherman's March, Burden of Dreams, Bus 174, My Winnipeg, How to Start a Revolution, Merchants of Doubt, Silenced (2014), the Corporation (2003), Man on Wire, The Parking Lot Movie, Land of Look Behind, Intangible Asset No. 82, Brasileirinho, Jodorowsky's Dune, Revolution OS, Facebookistan, The King of Kong, Kumaré, McLibel, Harlan County USA
Why? Because they're amazing, important, will change your life etc. Sorry I don't have hours to go into detail. Enjoy!
ps I found a lot of these by googling best documentaries lists, IMDb lists etc. I judge whether to watch movies/docos by reading 2 or 3 pages of user reviews on IMDb, occasionally Ebert or Urban Cinefile etc also.
Conventional English Title: "Man with a Movie Camera".
Wikipedia: https://en.wikipedia.org/wiki/Man_with_a_Movie_Camera
Man With A Movie Camera and Sans Soleil are two good ones in a similar vein (better, I think)
No mention of Orson Welles? Citizen Kane is the first thing you'll be asked to watch in any half-decent film course. Also you can't think of the evolution of cinema without mentioning Stanley Kubrick, Fritz Lang, Friedrich Murnau, Dziga Vertov ("Man with a Movie Camera")...
And it's quite debatable whether Kieslowski belongs to this list, something you're clearly aware of... or you wouldn't have put a note in to justify yourself ;)
I like the city symphony style of low-narrative documentary films from the early 20th century, which depict the rhythms and textures of a modern city.
Examples:
http://en.wikipedia.org/wiki/Berlin:_Symphony_of_a_Metropolis
http://en.wikipedia.org/wiki/Man_with_a_Movie_Camera
They're not quite documentaries in the standard sense, but I like the 1920s/30s "city symphonies", which try to capture some of the mood and rhythm of cities. Three are: Manhatta (USA, 1921), Berlin: Symphony of a Metropolis (Germany, 1927), and Man with a Movie Camera (USSR, 1929). They're plotless and a bit avant-garde, though, so may be boring if you're not into that sort of thing. Man with a Movie Camera is the most avant-garde, and is as much about the reflexive idea of filming a city as about the city itself; it also invented a bunch of now-standard cinematic techniques.