Hacker Cinema
Seeing Red
2005 · Film · short · 28 min
Directed by Su Friedrich
In Seeing Red, three elements run parallel, overlap, diverge, lock horns and in various other ways give voice to the notion that a color, a melody, or a person has multiple characteristics that cannot be grasped by, or understood within, a simple framework. One element is purely visual. One is very verbal and minimally visual. One is purely musical. So is red the color of a fire truck or a ruby, of rust or a rose, of blood or a brick? How fixed is a melody if it can be twisted, stretched and shaken to the point where we no longer recognize its original form? And when we "see red," what color is that exactly? What aspect of passion are we feeling? Are we looking outward and seeing injustice and cupidity, or looking inward at our own limitations and failings?
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2 comments on Hacker News
This seems an insufficient analysis. The meaning expressed by contemporary music, film media, or streaming television isn't very profound, but they at least still make a passing effort to "signify" something. The highest grossing movie of 2024 - Inside Out 2 - is not a deep text, but it does have a thesis.
The "Pixar apparatus" is definitely increasingly consumed by audience demand, but they're at a minimum in a transitional phase: something like Seeing Red would never get workshopped out of committees.
Youtube and other social media (emphasis on media) is ground zero for the decay of meaning into intensity; the ultimate incestuous product of auto-simulacra.
You cant. It's often exclusives. If you want to see "seeing red" or any other Disney film, that's on Disney, if you want to see Val, Hulu, etc.