Hacker Cinema
The Rules of the Game
La Règle du jeu
1939 · Film · 110 min
Directed by Jean Renoir
The Marquis de la Chesnaye and his wife host a weekend gala where a variety of complicated romantic and social entanglements between guests and servants lead to tragedy, all against the backdrop of a looming war.
2 positive3 neutralfrom 5 commenters
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7 comments on Hacker News
I thumbed to 1939 in the "1001 Films to See Before You Die" and got these (three I believe are "foreign" films however):
Stagecoach, Zangiku Monogatari, Babes In Arms, Mr. Smith Goes to Washington, The Wizard of Oz, Destry Rides Again, Only Angels Have Wings, Gone with The Wind, Le Jour Se Lève, Gunga Din, Ninotchka, La Règle Du Jeu, Wuthering Heights
Let me offer you some not Canal+ French films I've enjoyed: Breathless; Hiroshima Mon Amour; Diva; My Life as a Zucchini; Jeanne Dielman, 23, Quai du Commerce 1080 Bruxelles; The Rules of the Game; Last Year at Marienbad; La Collectionneuse; The Green Ray; One Sings, the Other Doesn’t; The Kid with a Bike; The 400 Blows; My Night at Maud's; The Wages of Fear.
I'd love a good literature class where we intersperse classic and contemporary writing. Often times I wonder how much of the subtext I am missing due to my ignorance of the classics. It'd be a lot of fun to read some Ralph Ellison, then a Chang Rae Lee novel.
After all in film, an area I'm a little better with the classics (although not entirely—I have massive gaps), it's really fun to point out the allusions and inspirations. The deep focus multi-narrative comedy of errors that is The Rules of the Game begets the combinatorial explosion of country music that is Nashville begets the post modern family drama of Yi Yi begets the Marvel Cinematic Universe. Or how non-linear editing in Hiroshima, Mon Amour could lead to Petulia.
Offtopic, an early-ish film that impressed me is ‘The Rules of the Game’ (‘La Règle du Jeu’) by Jean Renoir, from 1939. I somehow stumbled across it long ago, and recently had to wade through Wikipedia looking for its name, because I realized how alive it was for its time—it's basically ‘French new wave’ before even the WW2, and does quite much remind of Fellini. Maybe I'm watching too few pre-war films, but e.g. ‘Citizen Kane’ looks rather stilted compared to ‘The Rules of the Game’.
Apparently the picture was originally poorly received and quickly recut to a shorter time, but reconstructed in the 50s back to 110 minutes—so it's best to make sure to see this version.
One other, even earlier film that has the same lifelike quality for me is ‘Man with a Movie Camera’ by Dziga Vertov, which is not even a fiction film per se but sort of a documentary. Originally a silent film, but now best enjoyed with the soundtrack by Cinematic Orchestra: https://www.youtube.com/watch?v=cGYZ5847FiI
P.S. Wim Wenders said in his quasi-documentary ‘Tokyo-Ga’ about director Yasujiro Ozu, that previously films were about life as it is, as opposed to now that both life and films feel more and more like dreams. That's the impression that I get most from European films from around the 50s and the 60s: French new wave, Fellini, Bergman—even though Fellini constantly swerved into the territory of fantasies. ‘The Rules of the Game’ is also in this company for me.
Around the time of Wall-E and The Incredibles, I was very much a fan of their work and felt like they could do no wrong. Now I’m not so sure- I did love Coco but they have been absorbed by Disney at this point and are satisfying investors. Also, I find the low key arrogance about having mastered storytelling more than a little obnoxious. You can see a bit of this in Andrew Stanton’s Ted talk.
Before they sold to Disney, they were going to start making more mature films alongside their children’s entertainment. I was very curious about Ray Gunn. I think if Disney wanted it then Pixar could definitely make an incredibly compelling animated movie with mature themes. I mostly find myself disappointed with them these days.
(I find whenever I bring this up online quite a few people come at me with this idea that they are making mature films, and that the line between children’s entertainment and adult is imaginary, as though most kids could sit through something like The Rules of the Game or Tokyo Story.)
But to be clear, I’m still mostly a fan of their work but mostly for their technical mastery.
For a medium that is dependent on technology I’d say it’s impressive for any old movie to stand the test of time. I love old movies and I’m always impressed with their resourcefulness and heart. My favourite film is Seven Samurai but I sincerely hope that we can continue to make movies which challenge the preeminence of all time classics like Citizen Kane, Tokyo Story, The Rules of the Game, 8 1/2 .. like really take your pick of the top films on that list and you or anyone would do well to watch them many times over.
Anyone who doubts citizen Kane really needs to check out what kind of films were being made before it. CK was bold and experimental, an astounding picture. It’s still fresh in many ways and moving, dated too for sure but a definite classic. Orson Welles is legitimately one of my artistic heroes and he got screwed by the powers that be at the time. I kind of hate to see his work presented this way when he himself loved many of the film makers with movies on the sight and sound list.
Honestly I’m very take it or leave it with Hitchcock’s Vertigo which is the current #1 and it will probably maintain the stop spot on the critic list during the next polls. I also don’t get Sunset which always places super high. It’s good and the running in the field scene is a thrill but that’s the thing about these lists anyways, they are just a statistical average of what everyone thinks but we all have our personal dark horse favourites. One day, Battle Royale will get the credit it deserves.
I’ve been drinking if this seems disjointed.
I first learned about it like twenty years ago. Some of them really need a second or third viewing to click.
When I was younger, it seemed obvious to me that Grand Illusion is the greatest Renoir film, easy. Rules of the Game was a head scratcher. I never understood why it was so highly regarded. It seemed more dated and slow. But now that I’m a little older I can see what’s great about it a little more clearly.
The list does seem a little too top heavy with B&W films from the 40s but most days I find myself agreeing with that era being best.